A memoir of James Joyce, one of the most important novelists of the twentieth century, never before published in North America. In the ordinary sense Joyce was not a conversationalist, writes Arthur Power, in Conversations with James Joyce. An aspiring painter and art critic, Power (of the famous whiskey family) struck up a strained, somewhat prickly friendship with the master of exile, silence, and cunning at the Bal Bullier in Paris, in the year of 1921. This volume is Power's record of the two men's encounters and conversations, whose subjects ranged from Irish literature to American politics, and from Assyrian monuments to the individual "odor of a country," which, Joyce assured his wide-eyed interlocutor, was "the gauge of its civilization." Here is a rare glimpse of the private James Joyce--to Power's great surprise, not a brash bohemian, but a steadily working, sharp-tongued, elusive man. Arthur Power's Conversations with James Joyce, edited by Clive Hart and originally published in 1974, is an important artifact relating Joyce's thoughts and opinions on past writers as well as his contemporaries: Synge, Ibsen, Hardy, Turgenev, Tolstoy, Chekhov, Dostoevsky, Gide, Proust, Eliot, Tennyson, and Shakespeare.

Provides insight into Joyce's literary ideas, values, and background as well as his daily routine and family life as a young writer

This text presents a paperback edition of Arthur Power's account of his friendship with James Joyce during the 1920s. Power, a young Irishman working as an art critic in Paris, first met Joyce in a Montparnasse dancehall, and the two men maintained a somewhat prickly friendship for several years.

This second edition of The Cambridge Companion to Joyce contains several revised essays, reflecting increasing emphasis on Joyce's politics, a fresh sense of the importance of his engagement with Ireland, and the changes wrought by gender studies on criticism of his work. This Companion gathers an international team of leading scholars who shed light on Joyce's work and life. The contributions are informative, stimulating and full of rich and accessible insights which will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Joyce studies. This volume is designed primarily as a students' reference work (although it is organised so that it can also be read from cover to cover), and will deepen and extend the enjoyment and understanding of Joyce for the new reader.

Collected interviews with the British author of A Clockwork Orange, ReJoyce: An Introduction to James Joyce for the Ordinary Reader, and other works

Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses.