Controversial, challenging and outspoken, Gayatri Chakravorty Spivak is one of the most visible and controversial cultural critics of our time. The interviews collected here reflect the international character of her intellectual engagement with the ideas and politics which are shaping our world.

The interviews collected in this book reflect the international character of Spivak's intellectual engagement with the ideas and the politics which are shaping our world.

Postcolonial theology has recently emerged as a site of intense intellectual and political energy and has taken its place in the interdisciplinary field of postcolonial studies. This volume is animated by the conviction that postcolonial theology is now ready for a second, deeper phase of engagement with postcolonial theory, one that moves beyond the general to the specific. No critic has been more emblematic of the challenging and contested field of postcolonial theory than Gayatri Chakravorty Spivak. In this volume, the product of a theological colloquium in which Spivak herself participated, theologians and biblical scholars engage with her thought in order to catalyze a diverse range of original theological and exegetical projects. The volume opens with a "topography" of postcolonial theology and also includes other valuable introductory essays. At the center of the collection are transcriptions of two extended public dialogues with Spivak on theology and religion in general. A further dozen essays appropriate Spivak's work for theological and ethical reflection. The volume is also significant for the larger field of postcolonial studies in that it is the first to focus centrally on Spivak's immensely suggestive and vital concept of "planetarity."

"In this volume, Gayatri Chakravorty Spivak engages with 16 photographs by photographer Alice Attie as she attempts telepoiesis, a reaching toward the distant other through the empathetic power of the imagination."-- dust jacket.

Are the “culture wars” over? When did they begin? What is their relationship to gender struggle and the dynamics of class? In her first full treatment of postcolonial studies, a field that she helped define, Gayatri Chakravorty Spivak, one of the world’s foremost literary theorists, poses these questions from within the postcolonial enclave. “We cannot merely continue to act out the part of Caliban,” Spivak writes; and her book is an attempt to understand and describe a more responsible role for the postcolonial critic. A Critique of Postcolonial Reason tracks the figure of the “native informant” through various cultural practices—philosophy, history, literature—to suggest that it emerges as the metropolitan hybrid. The book addresses feminists, philosophers, critics, and interventionist intellectuals, as they unite and divide. It ranges from Kant’s analytic of the sublime to child labor in Bangladesh. Throughout, the notion of a Third World interloper as the pure victim of a colonialist oppressor emerges as sharply suspect: the mud we sling at certain seemingly overbearing ancestors such as Marx and Kant may be the very ground we stand on. A major critical work, Spivak’s book redefines and repositions the postcolonial critic, leading her through transnational cultural studies into considerations of globality.

Through a series of penetrating conversations originally published in the New York Times and the Los Angeles Review of Books, Brad Evans and Natasha Lennard talk with a wide range of cutting edge thinkers--including Oliver Stone, Simon Critchley, and Elaine Scarry--to explore the problem of violence in everyday life, politics, culture, media, language, memory, and the environment. "To bring out the best of us," writes Evans, "we have to confront the worst of what humans are capable of doing to one another. In short, there is a need to confront the intolerable realities of violence in this world." These lively, in-depth exchanges among historians, theorists, and artists offer a timely and bracing look at how the increasing expression and acceptance of violence--in all strata of society--has become a defining feature of our times. "Many of us live today with a pervasive sense of unease, worried that our own safety is at risk, or that of our loved ones, or that of people whose bad circumstances appear to us through networked media. Violence feels ever-present. Natasha Lennard and Brad Evans help us to analyze those feelings, talking with a wide range of thinkers in order to gain insight into the worst of what humans do, and challenging us to imagine a world in which violence is no longer a given. Their book is full of surprising insights and intelligent compassion."--Sarah Leonard, co-editor of The Future We Want: Radical Ideas for the New Century "In Violence, Brad Evans and Natasha Lennard have created, alongside their interview subjects, a kaleidoscopic exploration of the concept of violence, in terrains expected and not, in prose taut and unexpectedly gorgeous. Their philosophical rigor provides the reader with an intellectual arsenal against the violence of the current moment."--Molly Crabapple, author of Drawing Blood "We would be wise to read this collection with a similar eye toward service, and in so doing, open ourselves up to the rare mercy of no longer having to stand on our own."--Alana Massey, author of All The Lives I Want "The range of interviews with leading academics, to filmmakers and artists, is impressive, at once immediate and relevant, but also profoundly philosophical. More essentially, though, the conversations underline the need and suggest ways to resist and organize in a visionary way, in the extraordinary times we live in."--Razia Iqbal, BBC News "Notable contemporary thinkers and creators give their individual perspectives in this compelling look at violence. . . . A provocative volume that challenges humanity to correct its runaway course toward an increasingly violent future by learning from its violent past."--Kirkus Reviews "The purpose of the work is to challenge humanity to create more meaningful solutions when it comes to these kinds of violence--or at least to name violence without inadvertently inciting even more anger. . . . passion roars through every chapter . . . This book delivers on what it promises, which is an achievement. "--Alison Gately, The Los Angeles Review of Books "If you wish to read the intellectualization of violence, Violence is a phenomenal anthology. . . . Brad Evans and Natasha Lennard, the interviewers and the 'authors' of the anthology, have done a remarkable job in bringing together perceptive and intelligent contributors from various fields to scout the reaches of violence. Their piercing questions brought out brilliant responses from the interviewees."--L. Ali Khan, New York Journal of Books "Violence: Humans in Dark Times is an intriguing beginning to a much-needed sustained intellectual and aesthetic response to the horrors of modern times."—Zoe Vorsino

The postcolonial moment has passed, but the need to locate and confront shifting forms of oppression remains imperative. For Gayatri Chakravorty Spivak, such a task should be activated through long-term practice in the ethics of reading. In"Readings," Spivak elaborates a utopian vision: imaginative training for epistemological performance, to develop a will for peaceful social justice in coming generations. Teaching as she reads, she demonstrates modes in which such a vision might be apprehended. She celebrates Frantz Fanon s appropriation of Hegel. Preparing herself to read, she pays close attention to signposts of character, action and place in J. M. Coetzee s"Summertime" and Elizabeth Gaskell s"North and South."Re-reading two of her own essays, she addresses changes in her thinking and practice over the course of her career.Now, in her fifth decade of teaching, Spivak passes on her lessons through anecdote, interpretation, warning and instruction, to students and teachers of literature. She writes, I urge students of English to understand that utopia does not happen, and yet to understand, also, their importance to the nation and the world. Indeed, I know how hard it is to sustain such a spirit in the midst of a hostile polity, but I urge the students to consider the challenge. "