Conversations with an Executioner
Title | Conversations with an Executioner PDF eBook |
Author | Kazimierz Moczarski |
Publisher | Prentice Hall |
Pages | 304 |
Release | 1981 |
Genre | Biography & Autobiography |
ISBN |
"Relying largely on Stroop's own words ... Moczarski recreates the chain of events which caused a nondescript German youth, the son of a provincial policeman, to rise to the top of the Nazi hierarchy; become part of the inner circle of Hitler, Himmler, and Göring; wield ... power in Czechoslovakia, Soviet Russia, and Greece; and mastermind Warsaw's "Final solution"--Jacket.
Conversations with the Executioner
Title | Conversations with the Executioner PDF eBook |
Author | |
Publisher | |
Pages | 0 |
Release | 1982 |
Genre | |
ISBN |
The Polish Theatre of the Holocaust
Title | The Polish Theatre of the Holocaust PDF eBook |
Author | Grzegorz Niziolek |
Publisher | Bloomsbury Publishing |
Pages | 320 |
Release | 2019-05-30 |
Genre | Performing Arts |
ISBN | 1350039683 |
Grzegorz Niziolek's The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from 1945 to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish soil. The period gave rise to two of the most radical and influential theatrical ideas during work on productions that addressed the subject of the Holocaust – Grotowski's Poor Theatre and Kantor's Theatre of Death - but the author examines a deeper impact in the role that theatre played in the processes of collective disavowal to being a witness to others' suffering. In the first part, the author examines six decades of Polish theatre shaped by the perspective of the Holocaust in which its presence is variously visible or displaced. Particular attention is paid to the various types of distortion and the effect of 'wrong seeing' enacted in the theatre, as well as the traces of affective reception: shock, heightened empathy, indifference. In part two, Niziolek examines a range of theatrical events, including productions by Leon Schiller, Jerzy Grotowski, Tadeusz Kantor, Andrzej Wajda, Krzysztof Warlikowski and Ondrej Spišák. He considers how these productions confronted the experience of bearing witness and were profoundly shaped by the legacy of the Holocaust. The Polish Theatre of the Holocaust reveals how -- by testifying about society's experience of the Holocaust -- theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past.
The Theater of Andrzej Wajda
Title | The Theater of Andrzej Wajda PDF eBook |
Author | Maciej Karpinski |
Publisher | Cambridge University Press |
Pages | 162 |
Release | 1989-03-16 |
Genre | Biography & Autobiography |
ISBN | 9780521322461 |
Andrzej Wajda stands as one of the leading film-makers in contemporary European cinema, although his equally important theatrical achievements have remained less well-known. This book provides the first account and critical evaluation of this Polish director's work for the theatre. Maciej Karpinski examines Wajda's theatrical career focusing especially on such milestone productions as his internationally acclaimed adaptations of Dostoyevsky. Through an analysis of Wajda's aesthetic views and resultant productions, the study also reveals the vital link between his art and contemporary Polish culture. Karpinski is in a unique position to present a study of Wajda. Since 1974 he has collaborated with the director on a number of productions including The Affair, The Emigrants, and Nastasya Filippovna. As the most complete study of Wajda in the theatre, this book will enable students and teachers to have a fuller knowledge of this important twentieth-century director. The book also contains a full chronology of his theatrical career as well as photographs from productions.
Werwolf!
Title | Werwolf! PDF eBook |
Author | Alexander Perry Biddiscombe |
Publisher | University of Toronto Press |
Pages | 498 |
Release | 1998-01-01 |
Genre | History |
ISBN | 9780802008626 |
The most complete history to date of the Nazi partisan resistance movement known as the Werwolf at the end of WWII. A fascinating history of great interest to general readers as well as to military historians.
Last Nazis
Title | Last Nazis PDF eBook |
Author | Perry Biddiscombe |
Publisher | The History Press |
Pages | 378 |
Release | 2004-06-30 |
Genre | Travel |
ISBN | 0752496425 |
The history of the shadowy Werewolf guerrilla bands formed at end of the Second World War as the last desperate defence of Nazis. Founded by Heinrich Himmler in 1944 when it became clear Germany would be invaded, the Werewolf guerrilla movement was given the task of slowing down the Allied advance to allow time for the success of negotiations or wonder weapons. Staying behind in territory occupied by the Allies, its mission was to carry out acts of sabotage, arson and assassination, both of enemy troops and of defeatist Germans. Perry Biddiscombe has researched the movement exhaustively, and details Werewolf operations against the British, Russians and fellow Germans, on the Eastern and Western Fronts and in the post-war chaos of Berlin. Giving the lie to the established story of a cowed German population meekly submitting to defeat, this is a fascinating insight into what has been described as the death scream of the Nazi regime.
The Holocaust Bystander in Polish Culture, 1942-2015
Title | The Holocaust Bystander in Polish Culture, 1942-2015 PDF eBook |
Author | Maryla Hopfinger |
Publisher | Springer Nature |
Pages | 364 |
Release | 2021-04-17 |
Genre | Social Science |
ISBN | 3030664082 |
This book concerns building an idealized image of the society in which the Holocaust occurred. It inspects the category of the bystander (in Polish culture closely related to the witness), since the war recognized as the axis of self-presentation and majority politics of memory. The category is of performative character since it defines the roles of event participants, assumes passivity of the non-Jewish environment, and alienates the exterminated, thus making it impossible to speak about the bystanders’ violence at the border between the ghetto and the ‘Aryan’ side. Bystanders were neither passive nor distanced; rather, they participated and played important roles in Nazi plans. Starting with the war, the authors analyze the functions of this category in the Polish discourse of memory through following its changing forms and showing links with social practices organizing the collective memory. Despite being often critiqued, this point of dispute about Polish memory rarely belongs to mainstream culture. It also blocks the memory of Polish violence against Jews. The book is intended for students and researchers interested in memory studies, the history of the Holocaust, the memory of genocide, and the war and postwar cultures of Poland and Eastern Europe.