The thesis of this book is a terrifying one: our present global civilisation will collapse within twenty years, and it is too late to stop it. We shall regress to a 'New Middle Ages' akin to the fall of the Roman Empire, only much more destructive. For the first time in the whole of human history, certain 'dramatic lines', giant crises and catastrophes of immense proportions - already tangible - have emerged. They are converging and will most likely reach their zenith by 2020. Up to that time, as we have already been witnessing, their effects will continue to get worse, until a breaking point is reached. Guillaume Faye rigorously examines these escalating crises one by one: environmental damage and climate change; the breakdown of a speculative and debt-ridden globalist economy; the return of global epidemics; the depletion of fossil fuels and of agricultural and fishing resources; the rise of mass immigration, terrorism and nuclear proliferation; the worsening of the rupture between Islam and the West; and the dramatic explosion of a population of the elderly in the wealthy countries - all of it leading to an unprecedented worldwide economic recession, an increase in localised and possibly large-scale armed conflicts...and perhaps worse. Still, Faye reminds us, we should not give in to pessimism: what we are experiencing is not an apocalypse, but a metamorphosis of humanity. We might have reached the end of what the Hindu traditions refer to as the Kali Yuga, the 'age of iron' marked by materialism and selfishness, but those who survive the catastrophe and chaos will perhaps build a new and better humanity... With a doctorate in political science from Paris' Institute of Political Science, the essayist Guillaume Faye was one of the principal theoreticians of the French Nouvelle Droite in the 1970s and '80s prior to his growing sympathy for the identitarian movement. He has also been a journalist at Figaro-Magazine, Paris-Match, Magazine-Hebdo, Valeurs Actuelles, and a radio commentator. For several years he was the editor of J'ai tout compris (I Understood Everything), a private newsletter.

Faye rigorously examines today's escalating crises one by one. He reminds readers they should not give in to pessimism, that what is being experienced is not an apocalypse, but a metamorphosis of humanity.

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An earthquake shatters Haiti and a hurricane slices through Texas. We hear that nature runs rampant, seeking to destroy us through these 'natural disasters'. Science recounts a different story, however: disasters are not the consequence of natural causes; they are the consequence of human choices and decisions. we put ourselves in harm's way; we fail to take measures which we know would prevent disasters, no matter what the environment does. This can be both hard to accept, and hard to unravel. A complex of factors shape disasters. They arise from the political processes dictating where and what we build, and from social circumstances which create and perpetuate poverty and discrimination. They develop from the social preference to blame nature for the damage wrought, when in fact events such as earthquakes and storms are entirely commonplace environmental processes We feel the need to fight natural forces, to reclaim what we assume is ours, and to protect ourselves from what we perceive to be wrath from outside our communities. This attitude distracts us from the real causes of disasters: humanity's decisions, as societies and as individuals. It stops us accepting the real solutions to disasters: making better decisions. This book explores stories of some of our worst disasters to show how we can and should act to stop people dying when nature unleashes its energies. The disaster is not the tornado, the volcanic eruption, or climate change, but the deaths and injuries, the loss of irreplaceable property, and the lack and even denial of support to affected people, so that a short-term interruption becomes a long-term recovery nightmare. But we can combat this, as Kelman shows, describing inspiring examples of effective human action that limits damage, such as managing flooding in Toronto and villages in Bangladesh, or wildfire in Colorado. Throughout, his message is clear: there is no such thing as a natural disaster. The disaster lies in our inability to deal with the environment and with ourselves.

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Turn on the news and it looks as if we live in a time and place unusually consumed by the specter of disaster. The events of 9/11 and the promise of future attacks, Hurricane Katrina and the destruction of New Orleans, and the inevitable consequences of environmental devastation all contribute to an atmosphere of imminent doom. But reading an account of the San Francisco earthquake of 1906, with its vivid evocation of buildings “crumbling as one might crush a biscuit,” we see that calamities—whether natural or man-made—have long had an impact on the American consciousness. Uncovering the history of Americans’ responses to disaster from their colonial past up to the present, Kevin Rozario reveals the vital role that calamity—and our abiding fascination with it—has played in the development of this nation. Beginning with the Puritan view of disaster as God’s instrument of correction, Rozario explores how catastrophic events frequently inspired positive reactions. He argues that they have shaped American life by providing an opportunity to take stock of our values and social institutions. Destruction leads naturally to rebuilding, and here we learn that disasters have been a boon to capitalism, and, paradoxically, indispensable to the construction of dominant American ideas of progress. As Rozario turns to the present, he finds that the impulse to respond creatively to disasters is mitigated by a mania for security. Terror alerts and duct tape represent the cynical politician’s attitude about 9/11, but Rozario focuses on how the attacks registered in the popular imagination—how responses to genuine calamity were mediated by the hyperreal thrills of movies; how apocalyptic literature, like the best-selling Left Behind series, recycles Puritan religious outlooks while adopting Hollywood’s style; and how the convergence of these two ways of imagining disaster points to a new postmodern culture of calamity. The Culture of Calamity will stand as the definitive diagnosis of the peculiarly American addiction to the spectacle of destruction.