Representations of convents and nuns assumed power and urgency within the volatile political culture of eighteenth-century France. Drawing from a range of literary, cultural, and legal material, Mita Choudhury analyzes how, between 1730 and 1789, lawyers, religious pamphleteers, and men of letters repeatedly asked, "Who should control the female convent and women religious?" These sources chronicled the conflicts between nuns and the male clergy, among nuns themselves, and between nuns and their families, conflicts that were presented to the public in the context of potent issues such as despotism, citizenship, female education, and sexuality.The cloister operated as a symbol of despotism, the equivalent of the Sultan's seraglio or the King's Bastille. Before 1770, lawyers and magistrates praised nuns as the personification of virtuous Christian women, often victims vulnerable to those who would use them to further their own political ends. After 1770, men of letters evaluated nuns according to more secular norms, and concluded that the convent had no purpose in society, except as a reminder of the problems inherent in the Old Regime. Choudhury elaborates on how nuns were not always passive entities, mere objects to be shaped by the political needs of others. But because they relied on men in order to make their voices heard, the place of women religious in the public sphere was a complex one based on negotiations between female action and male subjectivity. During the French Revolution, whatever support they had enjoyed was lost as republicans and moderates began to see nuns as potentially disruptive to the social order, family life, and revolutionary values.

This dissertation explores how between 1740 and 1794, a variety of writers, ranging from lawyers to Enlightenment philosophes, used the female convent to criticize Bourbon absolutism and to articulate a new vision of French society based on male equality and gendered spheres. By examining sources ranging from political pamphlets to social treatises, from legal briefs to novels, from debates on education to works of pornography, this study synthesizes the social history of women religious with the symbolic, discursive construction of the convent. The image eighteenth-century readers had of the female cloister resulted from the efforts of writers to negotiate between their own polemical needs and the attempts of nuns to assert themselves and maintain a certain autonomy. The result was a dualistic representation, one in which nuns were both victims of authoritarian forces and villains acting against social order. During the French Revolution, the uneasy co-existence of such depictions of nuns and their independent actions collapsed as a majority of female religious refused to comply with the wishes of revolutionaries, therefore rendering the manichaean framework prerevolutionary lawyers and men of letters had crafted, untenable. This dissertation argues that an examination of this framework sheds light on a significant transition in the critique of the Old Regime: the shift from attacks on despotic individuals, attacks that were nonetheless consistent with the traditional paradigm of patriarchal authority, to an overarching assault on the paradigm itself. For the convent, this meant nothing less than its destruction during the French Revolution, a destruction hastened by the counterrevolutionary resistance of women religious.

In eighteenth-century literature, negative representations of Catholic nuns and convents were pervasive. Yet, during the politico-religious crises initiated by the French Revolution, a striking literary shift took place as British writers championed the cause of nuns, lauded their socially relevant work, and addressed the attraction of the convent for British women. Interactions with Catholic religious, including priests and nuns, Tonya J Moutray argues, motivated writers, including Hester Thrale Piozzi, Helen Maria Williams, and Charlotte Smith, to revaluate the historical and contemporary utility of religious refugees. Beyond an analysis of literary texts, Moutray's study also examines nuns’ personal and collective narratives, as well as news coverage of their arrival to England, enabling a nuanced investigation of a range of issues, including nuns' displacement and imprisonment in France, their rhetorical and practical strategies to resist authorities, representations of refugee migration to and resettlement in England, relationships with benefactors and locals, and the legal status of "English" nuns and convents in England, including their work in recruitment and education. Moutray shows how writers and the media negotiated the multivalent figure of the nun during the 1790s, shaping British perceptions of nuns and convents during a time critical to their survival.

In eighteenth-century literature, negative representations of Catholic nuns and convents were pervasive. Yet, during the politico-religious crises initiated by the French Revolution, a striking literary shift took place as British writers championed the cause of nuns, lauded their socially relevant work, and addressed the attraction of the convent for British women. Interactions with Catholic religious, including priests and nuns, Tonya J Moutray argues, motivated writers, including Hester Thrale Piozzi, Helen Maria Williams, and Charlotte Smith, to revaluate the historical and contemporary utility of religious refugees. Beyond an analysis of literary texts, Moutray's study also examines nuns’ personal and collective narratives, as well as news coverage of their arrival to England, enabling a nuanced investigation of a range of issues, including nuns' displacement and imprisonment in France, their rhetorical and practical strategies to resist authorities, representations of refugee migration to and resettlement in England, relationships with benefactors and locals, and the legal status of "English" nuns and convents in England, including their work in recruitment and education. Moutray shows how writers and the media negotiated the multivalent figure of the nun during the 1790s, shaping British perceptions of nuns and convents during a time critical to their survival.

Historians have long been fascinated by the nobility in pre-Revolutionary France. What difference did nobles make in French society? What role did they play in the coming of the Revolution? In this book, a group of prominent French historians shows why the nobility remains a vital topic for understanding France’s past. The French Nobility in the Eighteenth Century appears some thirty years after the publication of the most sweeping and influential “revisionist” assessment of the French nobility, Guy Chaussinand-Nogaret’s La noblesse au dix-huitième siècle. The contributors to this volume incorporate the important lessons of Chaussinand-Nogaret’s revisionism but also reexamine the assumptions on which that revisionism was based. At the same time, they consider what has been gained or lost through the adoption of new methods of inquiry in the intervening years. Where, in other words, should the nobility fit into the twenty-first century’s narrative about eighteenth-century France? The French Nobility in the Eighteenth Century will interest not only specialists of the eighteenth century, the French Revolution, and modern European history but also those concerned with the differences in, and the developing tensions between, the methods of social and cultural history. In addition to the editor, the contributors are Rafe Blaufarb, Gail Bossenga, Mita Choudhury, Jonathan Dewald, Doina Pasca Harsanyi, Thomas E. Kaiser, Michael Kwass, Robert M. Schwartz, John Shovlin, and Johnson Kent Wright.

An exploration of current scholarly thinking about the wide and surprisingly complex range of historical problems associated with the study of Ancien Régime Europe

Orthodox Sisters explores the relationship between women, religion, and social, cultural, and economic change between 1700 and 1935 through the experiences of Orthodox convents in Nizhnii Novgorod diocese. Focusing primarily on the Convent of the Exaltation of the Cross, William G. Wagner places the women's experiences in the broader context of developments in female monasticism and religious life in Russia, as well as in Europe and North America over the same period. This is the first comprehensive study that follows a Russian convent through all the stages of its life—from its origins in the eighteenth century to its flourishing at the turn of the twentieth century, to its resistance to Soviet assault, and, finally, to its rebirth in the 1920s. By the late nineteenth century, the Convent of the Exaltation of the Cross and the other convents and women's religious communities in Nizhnii Novgorod diocese constituted a reimagined form of a traditional Orthodox monastic community. Wagner shows how these nuns and novices adapted to the conditions of emergent modernity in a distinctively Orthodox way. When almost everything but their communal life, work, and worship and their sacred spaces had been stripped away and they were subject to the socialist state's efforts at subversion, the sisters of the Convent of the Exaltation of the Cross and the other convents in the diocese created an authentic Christian community that gave their lives a collective meaning. In this way they were able to lead a rewarding life and survive the early years of Soviet Russia.