Let your reputation help your career. From recovering from a blunder to contemplating next steps, this guide helps you leverage your core values for career success.

Controlling the Narrative: The Definitive Guide to Psychological Operations, Perception Management, and Information Warfare is an essential resource designed for military professionals, strategists, policymakers, and scholars engaged in the intricate fields of psychological warfare and strategic communications. This comprehensive guide delves into the multifaceted aspects of psychological operations (PSYOP), perception management and information warfare, exploring the theories, practices, and tools that shape today’s information battle-spaces. Structured to provide a deep understanding of the historical evolution, strategic considerations, and modern applications of PSYOP, this book equips readers with the knowledge necessary to effectively execute operations that influence perceptions, decisions, and behaviors on the global stage. It covers a broad spectrum of topics, from the basic concepts of propaganda and media manipulation to sophisticated strategies involving cyber warfare, artificial intelligence, and data analytics. Each chapter in this guide is meticulously crafted to offer detailed insights and practical advice, enriched with case studies that highlight both successful and cautionary tales from past and present operations. The book emphasizes the importance of adhering to ethical and legal standards, providing readers with a clear framework for conducting operations that respect human rights and international laws. Controlling the Narrative also addresses the strategic imperatives for military and governmental organizations, including the need for ongoing adaptation to emerging technologies and the shifting geopolitical landscape. With its rigorous analysis and comprehensive coverage, the guide serves as an indispensable resource for those tasked with safeguarding national security and advancing military objectives through the strategic use of psychological and influence operations. This book is not only a manual but also a call to action, urging enhanced inter-agency collaboration, investment in research and development, and the cultivation of public-private partnerships to maintain a competitive edge in the evolving arena of global information warfare. It aims to inspire a new generation of strategic thinkers who are prepared to leverage the power of information in the pursuit of security, peace, and stability.

What is the relationship between narrative, society and the forms of control that function in society? This critical analysis examines the role of narrative in the creation of various social realities. The central theme is that narrative is a pervasive form of human communication integral to the production and shaping of social order. Each chapter provides both a theoretical framework and an examination of narratives in a range of communication contexts - interpersonal, small group, organizational and mass media - illustrating the far-reaching impact of narrative on our lives and social organizations.

The rich programme of ICIDS 2009, comprising invited talks, technical pres- tations and posters, demonstrations, and co-located post-conference workshops clearly underscores the event’s status as premier international meeting in the domain. It thereby con?rms the decision taken by the Constituting Committee of the conference series to take the step forward: out of the national cocoons of its precursors, ICVS and TIDSE, and towards an itinerant platform re?ecting its global constituency. This move re?ects the desire and the will to take on the challenge to stay on the lookout, critically re?ect upon and integrate views and ideas,?ndingsandexperiences,andtopromoteinterdisciplinaryexchange,while ensuring overall coherence and maintaining a sense of direction. This is a signi?cant enterprise: The challenges sought are multifarious and must be addressed consistently at all levels. The desire to involve all research communitiesandstakeholdersmustbematchedbyacknowledgingthedi?erences in established practises and by providing suitable means of guidance and int- duction, exposition and direct interaction at the event itself and of lasting (and increasingly:living) documentation, of which the present proceedings are but an important part.

DISCOVER THE SECRETS OF WHAT MAKES A MEGA-BESTSELLER IN THIS ENTERTAINING, REVELATORY GUIDE What do Michael Corleone, Jack Ryan, and Scout Finch have in common? Creative writing professor and thriller writer James W. Hall knows. Now, in this entertaining, revelatory book, he reveals how bestsellers work, using twelve twentieth-century blockbusters as case studies—including The Godfather, Gone with the Wind, To Kill a Mockingbird, and Jaws. From tempting glimpses inside secret societies, such as submariners in The Hunt for Red October, and Opus Dei in The Da Vinci Code, to vivid representations of the American Dream and its opposite—the American Nightmare—in novels like The Firm and The Dead Zone, Hall identifies the common features of mega-bestsellers. Including fascinating and little-known facts about some of the most beloved books of the last century, Hit Lit is a must-read for fiction lovers and aspiring writers alike, and makes us think anew about why we love the books we love.

WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.

A "New York Times" political cartoonist and writer presents a collection of his most popular essays and drawings about life and government hypocrisy.