Having oneself shot. Putting out fires with the bare hands and feet. Biting the body and photographing the marks. Sewing one's own mouth shut--all in front of an audience. What do these kinds of performances tell us about the social and historical context in which they occurred? Fascinating and accessibly written, CONTRACT WITH THE SKIN addresses the question in relation to psychoanalytic and legal concepts of masochism. 34 photos.

"With great originality and scholarship, Amelia Jones maps out an extraordinary history of body art over the last three decades and embeds it in the theoretical terrain of postmoderism. The result is a wonderful and permissive space in which the viewer...can wander"...-Moira Roth, Trefethen professor of art history, Mills College.

In 1986, 70 percent of the first-year class of Harvard Law School wanted to pursue careers in public-interest law. Ten years later, the same percentage of this class was pursuing careers in private corporate firms. How is it that these students began their careers interested in using law as a vehicle for social change, but ended up in those very law firms most resistant to change? How are law students able to reconcile liberal politics with careers in corporate law? Richard D. Kahlenberg's Broken Contract serves to warn prospective law students on the transformation that happens during the second and third years. His memoir explores the intense competitiveness and insidious pressure leading to jobs that are lucrative, prestigious, and challenging-but ultimately unsatisfying. Though Broken Contract doesn't seek to convince every law student to go into public service, Kahlenberg means to challenge and restructure our social institutions to make it easier to follow our impulses toward good instead of toward the goods.

The Impossible Contract is the second book in K. A. Doore's high fantasy adventure series the Chronicles of Ghadid, where a determined assassin travels to the heart of the Empire in pursuit of a powerful mark, for fans of Robin Hobb, Sarah J. Maas, and S. A. Chakraborty An assassin’s reputation can mean life or death. This holds especially true for Thana Basbowen, daughter of the legendary Serpent, who rules over Ghadid’s secret clan of assassins. When a top-tier contract drops in her lap — death orders against foreign ambassador Heru Sametket — Thana seizes the opportunity. Yet she may be in over her head. Heru wields blasphemous powers against his enemies, and Thana isn’t the only person after his life: even the undead pursue him, leaving behind a trail of horror. Her mission leads her on a journey to the heart of a power-hungry empire, where dangers lurk around every corner. Her only ally is Mo, a determined healer set to protect Ghadid any way she can. As further occult secrets are unleashed, however, the aftermath of this impossible contract may be more than anyone can handle. The Chronicles of Ghadid #1: The Perfect Assassin #2: The Impossible Contract #3: The Unconquered City At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

National Book Award Longlist TIME's 10 Best YA and Children's Books of 2020 NPR's Best Book of 2020 Shelf Awareness's Best Books of 2020 Publishers Weekly's Big Indie Books of Fall Amazon's Best Book of the Month AICL Best YA Books of 2020 CSMCL Best Multicultural Children's Books of 2020 PRAISE "Stirring.... Raw and moving." —TIME "Beautiful imagery and with words that soar and scald." —The Buffalo News "Easily one of the best books to be published in 2020. The kind of book bound to save lives." —LitHub "A powerful narrative about identity and belonging." —Paste Magazine FOUR STARRED REVIEWS ★ "Timely and important." —Booklist, starred review ★ "Searing yet dryly funny." —The Bulletin, starred review ★ "Exceptional." —Shelf-Awareness, starred review ★ "Captivating." —School Library Journal, starred review The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside." In APPLE (SKIN TO THE CORE), Eric Gansworth tells his story, the story of his family—of Onondaga among Tuscaroras—of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.

A hard-driving designer seeks acclaim by developing a Middle Eastern museum only to discover the project’s real value is not what she imagined. Joanna and Ev have been partners for ten years—in business and in love—when one of the only women in government in the Middle East invites their firm to design a children’s museum in Riyadh. Jo sees a chance to solidify her name in the design world, and help Saudi girls along the way, in the venture. Her husband, however, has no desire to work in a vigorously policed society; he prefers to remain in his workshop, fashioning gadgets for museum displays. Jo’s sister and young protégé share his doubts, but Ev accedes to Jo’s wishes. The process of bidding on the job soon throws their home office into chaos and challenges their long-held assumptions about the value of their work—and marriage. If they get the job, will their partnership survive the strain?