This volume brings together thirteen studies by as many experts in the study of one or more ancient or medieval magical traditions, from ancient Mesopotamia and Pharaonic and Greco-Roman Egypt to the Greek world, Judaism, Christianity and Islam. It lays special emphasis on the recurrence of similar phenomena in magical texts as far apart as the Akkadian cuneiform tablets and an Arabic manuscript bought in Egypt in the late-twentieth century. Such similarities demonstrate to what extent many different cultures share a “magical logic” which is strikingly identical, and in particular they show the recurrence of certain phenomena when magical practices are transmitted in written form and often preserve, adopt and adapt much older textual units.

The progenitor of "Muslim punk rock" and one of today's freshest spiritual voices pushes back against the common assumption that the historic faiths have no occult or magical tradition in this richly learned historical and personal journey through the practice of magic in Islam. Magic in Islam offers a look at magical and occult technologies throughout Muslim history, starting with Islam's earliest and most canonical sources. In addition to providing a highly accessible introduction to magic as it is defined, practiced, condemned, and defended within Muslim traditions, Magic in Islam challenges common assumptions about organized religion. Michael Muhammad Knight's deeply original book fills a gap within existing literature on the place of magic in Islamic traditions and opens a new window on Islam for general readers and students of religion alike. In doing so, the book counters and complicates widespread perceptions of Islam, as well as of magic as it is practiced outside of European contexts. Magic in Islam also challenges our view of "organized religions" as clearly defined systems that can be reduced to checklists of key doctrines, texts, and rules. As a result, Magic in Islam throws a monkey wrench into the conventions of the "intro to Islam" genre, threatening to flip popular notions of a religion's "center" and "margins."

Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.

With contributions spanning from the Neolithic Age to the Iron Age, this book offers important insights into the religions and ritual practices in ancient Egyptian and Near Eastern communities through the lenses of their material remains. The book begins with a theoretical introduction to the concept of material religion and features editor introductions to each of its six parts, which tackle the following themes: the human body; religious architecture; the written word; sacred images; the spirituality of animals; and the sacred role of the landscape. Illustrated with over 100 images, chapters provide insight into every element of religion and materiality, from the largest building to the smallest amulet. This is a benchmark work for further studies on material religion in the ancient Near East and Egypt.

Purity is a cultural construct that had a central role in the forming and the development of religious traditions in the ancient Mediterranean. This volume analyzes concepts, practices and images associated with purity in the main cultures of Antiquity, and discusses from a comparative perspective their parallel developments and transformations. The perspective adopted is both synchronic and diachronic; the comparative approach takes into account points of contact and mutual influences, but also includes major transcultural trends. A number of renowned specialists contribute a large variety of perspectives and approaches, combining archaeology, epigraphy and social history; in addition, particular attention is given to concepts of purity in ancient Israel and early Judaism as a ‘test-case’ of sorts. Through its extensive coverage, the volume contributes decisively to the present discussion about the forming of religious traditions in the ancient Mediterranean world. Contributors include: Philippe Borgeaud, Beate Ego, Christian Frevel, Linda-Marie Günther, Michaël Guichard, Gudrun Holtz, Manfred Hutter, Albert de Jong, Michael Konkel, Bernhard Linke, Lionel Marti, Hans-Peter Mathys, Christophe Nihan, Joachim Friedrich Quack, Benedikt Rausche, Noel Robertson, Udo Rüterswörden, Ian Werrett, and Jürgen K. Zangenberg.

This volume explores aspects of ancient magic and religion in the ancient Mediterranean, specifically ways in which religious and mythical ideas, including the knowledge and practice of magic, were transmitted and adapted through time and across Greco-Roman, Near Eastern, and Egyptian cultures. Offering an original and innovative combination of case studies on the material aspects and cross-cultural transfers of magic and religion, this book brings together a range of contributions that cross and connect sub-fields with a pan-Mediterranean, comparative scope. Section I investigates the material aspects of magical practices, including first editions and original studies on papyri, gems, lamellae containing binding curses and protective texts, and other textual media in ancient book culture. Several chapters feature the Greco-Egyptian Magical Papyri, the compilation of magical recipes in the formularies, and the role of physical book-forms in the transmission of magical knowledge. Section II explores magic and religion as nodes of cultural exchange in the ancient Mediterranean. Case studies range from Egypt to Anatolia and from Syria-Phoenicia to Sicily, with Greco-Roman religion and myth integrated in a diverse and interconnected Mediterranean landscape. Readers encounter studies featuring charismatic figures of Magi and itinerant begging priests, the multiple understandings of deities such as Hekate, Herakles, or Aphrodite, or the perceived exotic origin of cult statues, mummies, amulets, and cursing formulae, which bring to light the rich intercultural networks of the ancient Mediterranean, and the crucial role of magic and religion in the process of cross-cultural adaptation and innovation. Magic and Religion in the Ancient Mediterranean World appeals to both specialized and non-specialized audiences, with expert contributions written in an accessible way. This is a fascinating resource for students and scholars working on magic, religion, and mythology in the ancient Mediterranean.

Essays on the magical handbooks of Greco-Roman Egypt