The controversy surrounding the significant "Into the Heart of Africa" exhibit at the Royal Ontario Museum in Canada is explored in this compelling and analytical text. The exhibit has become an international, controversial touchstone for issues surrounding the politics of visual representation, such as the challenges to curatorial and ethnographic authority in multicultural and postcolonial contexts. Asking why the museum's exhibit failed so many people, the author examines such issues as institutional politics, the broad political and intellectual climate surrounding museums, the legacies of colonialism and traditions of representation of Africa, and the politics of irony. By drawing upon anthropological and cultural criticism, the book offers a unique account of the ways in which an ambiguous exhibit about colonialism became the site of an expansiveInto the Heart of Africa."

The controversy surrounding the significant "Into the Heart of Africa" exhibit at the Royal Ontario Museum in Canada is explored in this compelling and analytical text. The exhibit has become an international, controversial touchstone for issues surrounding the politics of visual representation, such as the challenges to curatorial and ethnographic authority in multicultural and postcolonial contexts. Asking why the museum's exhibit failed so many people, the author examines such issues as institutional politics, the broad political and intellectual climate surrounding museums, the legacies of colonialism and traditions of representation of Africa, and the politics of irony. By drawing upon anthropological and cultural criticism, the book offers a unique account of the ways in which an ambiguous exhibit about colonialism became the site of an expansiveInto the Heart of Africa."

In a unique volume, Contested Futures brings together a group of scholars to examine the relationships between social action and the future. Rather than speculating upon what the future might bring, the volume interrogates the metaphors and practices through which the future is mobilized as an object of present day action and agency. The book shifts the analytical gaze from looking into the future to looking at the future as a sociological phenomenon in its own right. Futures are thus contested in as much as they register differences of interest, time frame or organizational and political form. Contestation is also evident in the ascendancy of certain discourses, languages and metaphors which foreclose some futures whilst facilitating others. But futures are far from being simply linguistic abstractions, and in fact can often be seen to harden into material entrenchment as expectations become scripted into 'path dependency' and 'lock in'. Contested Futures is an invaluable analysis for both academics and policy actors seeking a better understanding of the ubiquity of futures-discourse in the context of today’s uncertainties.

In the past two decades, democratic institutions have faced a crisis of representation. From authoritarian backsliding in countries with recent democratic transformations, to severe challenges to established liberal democracies, the meaning of political representation and whether and when it succeeds has become highly debated. In response to an increasingly fraught political climate, Contested Representation brings together scholars from across the United States and Europe to critically assess the performance of representative institutions in Europe and North America. Taking an interdisciplinary, comparative approach, this volume looks at the viability of electoral institutions, the responsiveness of government to public preferences, alternative institutions for more inclusive democracy, and the political economy of populism. Chapters also address the broader normative question of how democratic institutions can be adapted to new conditions and challenges. Expertly researched and exceedingly timely, Contested Representation provides critical frameworks that highlight realistic pathways to democratic reform.

In this comprehensive, long-view study on the concept of the Neue or Moderne Frau (New or Modern Woman) that spans the Weimar Republic, Third Reich, post-war period, and a divided Germany, Contested Femininities explores how different political and social groups constructed images of women to present competing visions of the future. It takes the highly contested representations of women presented in the illustrated press and examines how they emerged as crucial markers of modernity. In doing so it reveals the surprising continuity of these images across political periods and reflects on how debates over paid work, the gender division of labor in the household, the politics of the body, and consumption, played a central role in how different German regimes defined the Modern Woman.

Popular Hindi cinema has become a significant signpost of contemporaneity due to its construction of social language. Generally, Hindi cinema has been understood through internal (auteur or genre or cinéma verité) and external aspects (consumption spheres and moviegoers’ complex response in the form of catharsis or everydayness mimesis). However, cinema also needs a new way of discerning with respect to ‘Dalit Representation’. The study needs to look at the construction and meaning of the social language of Hindi cinema. Construction refers to exploring factors beyond the film industry responsible for shaping the social language. Meaning entails the exhibition of social language in the form of messages. Herein, relational exploration becomes crucial. The relationship between factors of social language of Hindi cinema and Dalits must be unraveled for understanding the meaning of social language for Dalits. Contested representation encompasses the nature of absence and presence of Dalits in Hindi cinema.