La interpretació de films basats en obres provinents d'altres mitjans a quina ha estat limitada per enfocaments crítics que privilegien l'obra original; aquest és el cas, especialment, de les adaptacions dels clàssics de la literatura. A través de l'anàlisis detallades de dos films contemporanis -The Age of Innocence (Martin Scorsese, 1993) i The Portrait of a Lady (Jane Campion, 1996)-, aquest treball replanteja l'adaptació com una manera de recreació del passat que cristal·litza a través de les textures de l'anomenada popularment pel·lícula d'època. Traslladant la reescriptura de dos textos del realisme literari nord-americà al context de l'obra de tots dos cineastes, l'anàlisi comparativa es concentra en la imatge mentre que portadora d'una memòria intertextual recuperada sota el prisma de diferents discursos contemporanis.

Give woven textiles a contemporary twist with Color and Texture in Weaving! Learn to mix color and yarn types to create textiles that are rich with color and texture as well as refreshing and modern. Using either a simple four- or eight-shaft loom you can discover how to mix color and yarn types to maximize visual effects in your weaving. Beginner weavers will find helpful guidance for color warping and a plethora of expert weaving inspiration. And if you've already mastered the basic skills, you'll find Color and Texture in Weaving to be a dependable weaving resource with complex techniques and a wealth of inspiring patterns. There are hundreds of weaving patterns within for you to enjoy; each is illustrated with swatches of finished textiles, setup diagrams, lifting patterns, and fabric samples shown in large, full-color photos to highlight the detail. Providing you with everything from basic setup instructions to advanced weaving ideas, Color and Texture in Weaving offers contemporary, colorful, and creative possibilities for all weavers looking to refine their color and texture approaches to textiles.

The longstanding European conception that Roma and non-Roma are separated by unambiguous socio-cultural distinctions has led to the construction of Roma as “non-belonging others.” Challenging this conception, Textures of Belonging explores how Roma negotiate and feel belonging at the everyday level. Inspired by material culture, sensorial anthropology, and human geography approaches, this book uses ethnographic research to examine the role of domestic material forms and their sensorial qualities in nurturing connections with people and places that transcend socio-political boundaries.

"This book addresses the phenomenon called "interactive architecture that challenges artists, architects, designers, theorists, and geographers to develop a language and designs toward the "use" of these environments"--Provided by publisher.

Learning to render a variety of textures is a fundamental skill for any fine artist, no matter the chosen media or subject matter. The Complete Book of Textures for Artists features more than 275 step-by-step lessons, tips, and techniques for rendering a wide range of textures in a variety of media, including graphite pencil, charcoal, colored pencil, oil, and acrylic. Whether you're an experienced artist or just starting out, The Complete Book of Textures for Artists features a wide variety of both traditional and contemporary techniques. After an introduction to the basic tools and materials, discover a variety of drawing and painting techniques, such as hatching, crosshatching, shading, blending, layering, burnishing, and more. Organized into sections based on subject matter and media, each page features easy-to-follow steps demonstrating how to create each specific texture. Not only will you learn a variety of techniques, but you’ll also discover new ideas and inspiration for using the techniques in your own projects. Packed with easy-to-follow instructions and plenty of helpful artist tips, The Complete Book of Textures for Artists is the perfect resource for beginning and established artists who are ready to master the intricacies of rendering realistic texture in their artwork.

Mahaney presents methods of using electron microscopy developed in the past 25 years, and discusses their values in the interpretation of sedimentary environments, the problems inherent in these methods, case studies and future possibilities for research.