Drawing together episodes of rich atmosphere, this novel is as deep and brooding as the Paris nights that serve as its backdrop. Russian writer Gaito Gazdanov arrived in Paris, as so many did, between the wars and would go on, with this fourth novel, to give readers a crisp rendering of a living city changing beneath its people’s feet. Night Roads is loosely based on the author’s experiences as a cab driver in those disorienting, often brutal years, and the narrator moves from episode to episode, holding court with many but sharing his mind with only a few. His companions are drawn straight out of the Parisian past: the legendary courtesan Jeanne Raldi, now in her later days, and an alcoholic philosopher who goes by the name of Plato. Along the way, the driver picks up other characters, such as the dull thinker who takes on the question of the meaning of life only to be driven insane. The dark humor of that young man’s failure against the narrator’s authentic, personal explorations of the same subject is captured in this first English translation. With his trademark émigré eye, Gazdanov pairs humor with cruelty, sharpening the bite of both.

Runner-up for 2015 Russian Booker Prize. From one of the most exciting voices in modern Russian literature, Alisa Ganieva, comes Bride and Groom, the tumultuous love story of two young city-dwellers who meet when they return home to their families in rural Dagestan. When traditional family expectations and increasing religious and cultural tension threaten to shatter their bond, Marat and Patya struggle to overcome obstacles determined to keep them apart, while fate seems destined to keep them together—until the very end. Alisa Ganieva (b. 1985) grew up in Makhachkala, Dagestan. Her literary debut, the novella Salam, Dalgat!, published under a male pseudonym, won the prestigious Debut Prize in 2009. Her debut novel, The Mountain and the Wall (Deep Vellum, 2015) was shortlisted for all of Russia's major literary awards and has been translated into seven languages. Bride and Groom is her second novel, and was shortlisted for the 2015 Russian Booker Prize upon its publication in Russia. Ganieva currently lives in Moscow, where she works as a journalist and literary critic. Dr. Carol Apollonio is Professor of the Practice of Russian at Duke University. Her most recent literary translations include Alisa Ganieva's debut novel, The Mountain and the Wall (Deep Vellum, 2015). She was awarded the Russian Ministry of Culture's Chekhov Medal in 2010, and she currently serves as President of the North American Dostoevsky Society.

Launched in 1950, Penguin’s Russian Classics quickly progressed to include translations of many great works of Russian literature and the series came to be regarded by readers, both academic and general, as the de facto provider of classic Russian literature in English translation, the legacy of which reputation resonates right up to the present day. Through an analysis of the individuals involved, their agendas, and their socio-cultural context, this book, based on extensive original research, examines how Penguin’s decisions and practices when translating and publishing the series played a significant role in deciding how Russian literature would be produced and marketed in English translation. As such the book represents a major contribution to Translation Studies, to the study of Russian literature, to book history and to the history of publishing.

This book consists of the work of twenty-three poets, living in Russia and abroad and writing during the period since 1975. It is the first dual-language anthology in many years.

Some call the city the 'Splendor of the East'; others the 'Whore of Asia'. A melting pot of different nations, fused by war and commerce, this is the Shanghai of the 1920s. The Great Powers are greedily exploiting China for its cheap labor and reaping the cruel rewards of the booming opium trade. When a flotilla of ships carries the remnants of the defeated White Army on entry to Shanghai, the fragile balance of this international marketplace comes under threat. Among the refugees is Klim Rogov, an emigre journalist whose life and marriage have been claimed by the Russian Revolution. All he has left are his quick wits and keen worldliness that come in quite handy in navigating the lawless jungle of Shanghai. He finds work as a reporter at a British-run newspaper, rubbing shoulders with international gangsters while defying webbed intrigues of sinister communist agents. Amidst the survival frenzy all that keeps him going is the hope that someday he'll be reunited with his beloved wife Nina."

Olga Grushin’s astonishing literary debut has won her comparisons with everyone from Gogol to Nabokov. A virtuoso study in betrayal and its consequences, it explores—really, colonizes—the consciousness of Anatoly Sukhanov, who many years before abandoned the precarious existence of an underground artist for the perks of a Soviet apparatchik. But, at the age of 56, his perfect life is suddenly disintegrating. Buried dreams return to haunt him. New political alignments threaten to undo him. Vaulting effortlessly from the real to the surreal and from privilege to paranoia, The Dream Life of Sukhanov is a darkly funny, demonically entertaining novel.

Russian Literature since 1991 is the first comprehensive, single-volume compendium of modern scholarship on post-Soviet Russian literature. The volume encompasses broad, complex and diverse sources of literary material - from ideological and historical novels to experimental prose and poetry, from nonfiction to drama. Written by an international team of leading experts on contemporary Russian literature and culture, it presents a broad panorama of genres in post-Soviet literature such as postmodernism, magical historicism, hyper-naturalism (in drama), and the new lyricism. At the same time, it offers close readings of the most prominent works published in Russia since the end of the Soviet regime and elimination of censorship. The collection highlights the interdisciplinary context of twenty-first-century Russian literature and can be widely used both for research and teaching by specialists in and beyond Russian studies, including those in post-Cold War and post-communist world history, literary theory, comparative literature and cultural studies.