Since the 1989 fall of Communism in Eastern Europe, Romania, arguably the most regimented of states in the Soviet bloc, has struggled with the transition from totalitarian state to democratic nation. In this insightful examination of modern Romania, Tom Gallagher provides an overview of Romania’s unique political and social history, focusing on both its national identity as well as the legacy of Soviet rule. Gallagher provides an in-depth look at Romania since 1989, focusing on the government’s attempts at economic reform, engagement with democracy, problems with corruption among the ruling elite, as well as the weakness of civil society and the resilience of implacable expressions of nationalism. Ultimately, Gallagher argues that thus far democracy has essentially failed in Romania. In fact, he warns that Romania is on its way to becoming one of the most unequal states in Europe and quite possibly a future trouble-spot unless efforts to resume much-needed reforms are undertaken.

Architecture has attracted increasing worldwide attention in recent years, not only because of its cultural significance but also because of concern over the performance and resource implications of buildings. 101 in-depth articles by international scholars and practitioners bring the subject into focus by examining issues from various viewpoints. Please contact your representative for a leaflet detailing full contents and contributors. It also includes sample pages and several illustrations from the book.

The most comprehensive study of Romanian politics ever published abroad, this volume represents an effort to collect and analyze data on the complex problems of Romania's journey from sultanistic national communism to a yet-unreached democratic government.

A History of Romanian Theatre from Communism to Capitalism analyses the last three decades of Romanian theatre and connects it to the international stage. Cristina Modreanu questions the relationship between artists and power, both before 1989, behind the Iron Curtain, and in the current global political context, with nationalism manifesting itself in Eastern Europe, as seen in the critical work of Romanian theatre makers. This study covers the complex cases of theatre makers such as Lucian Pintilie, Liviu Ciulei and Andrei Șerban, who built their international careers in exile, and the most innovative Romanian artists of today, such as Silviu Purcărete, Mihai Măniuţiu, Gianina Cărbunariu, Radu Afrim, and Bogdan Georgescu, who reached the status of transglobal artists. Filling a considerable gap in Romanian theatre discourse, this book will be of a great interest to students and scholars of contemporary theatre and history.