Contemporary Portugal: Politics, Society and Culture is an introduction to the evolution of Portuguese politics, society and culture in the twentieth century. Eminent historians, political scientists and experts in literature and art explore a wide spectrum of topics: international relations, authoritarianism, transition to democracy, social change, economic development, colonialism and decolonization, patterns of emigration, problems of national identity and the main trends of twentieth century Portuguese literature and art.

Despite worldwide interest in the Portuguese Revolution of 1974, Portugal remained for most people a little known and poorly understood country, neglected for years by social scientists. Editors Graham and Makler brought together for the first time in one substantive volume most of the leading social science experts on Portugal. The contributors' highly original research represents the best work generated by the International Conference Group on Modern Portugal at its two major conferences held in 1973 and 1976. The result is a comprehensive collection of essays discussing in detail the events leading up to the revolution, the causes of the military coup, and the movement of a society on the brink of revolutionary upheaval toward open, democratic parliamentary elections. As the first interdisciplinary study to span fifty years of Portuguese history from the Estado Novo of 1926 to the eventual social democratic republic, this book stands alone in its field. The specialist as well as the general reader will find insights into the dynamics of Portugal's people, politics, and economics.

This title was first published in 2002. Portugal experienced rapid and dramatic change over the final decades of the twentieth century. After the turbulence that followed the 1974 revolution, the 1980s and 1990s provided a period of unprecedented political stability and economic modernization during which Portugal converged rapidly with the wealthier member states of the European Union. This important new volume offers a timely focus on this recent period. Written for a wide audience by a multidisciplinary team of experts, the book provides an accessible overview and analysis of the key dimensions of recent economic and political change in Portugal and identifies the tensions and policy challenges that rapid change has produced. In so doing the book reveals something of the complexity of contemporary Portugal: an outward looking modern, democratic and European state, but one where the legacy of its recent traditional, colonial and often inward looking past continues to influence and shape its development in the twenty-first century.

Women's Cinema in Contemporary Portugal brings together scholars from Portugal, UK and the USA, to discuss 14 women film directors in Portugal, focussing on their production in both feature film and documentary genres over the last half-century. It charts the specific cinematic visions that these women have brought to the re-emergence of Portuguese national cinema in the wake of the 1974 Revolution and African decolonisation, and to the growing internationalisation of Portugal's arguably 'minor' or 'small nation' cinema, with significant young women directors such as Leonor Teles achieving prominence abroad. The history of Portuguese women's cinema only begins systematically after the 1974 revolution and democratisation. This collection shows how female auteurs made their mark on Portugal's post-revolutionary conceptualisation of a differently 'national' cinema, through the ethnographic output of the late 1970s. It goes on to explore women's decisively gendered interventions in the cinematic memory practices that opened up around the masculine domain of the Colonial Wars in Africa. Feminist political issues such as Portugal's 30-year abortion campaign and LGBT status have become more visible since the 1990s, alongside preoccupations with global concerns relating to immigration, transit and minority status communities. The book also demonstrates how women have contributed to the evolution of soundscapes, the genre of essay cinema, film's relationship to the archive, and the adaptation of the written word. The result is a powerful, provocative and definitive challenge to the marginalisation of Portuguese female-directed film in terms of 'double minority'.

Liquid Metal brings together 'seminal' essays that have opened up the study of science fiction to serious critical interrogation. Eight distinct sections cover such topics as the cyborg in science fiction; the science fiction city; time travel and the primal scene; science fiction fandom; and the 1950s invasion narratives. Important writings by Susan Sontag, Vivian Sobchack, Steve Neale, J.P. Telotte, Peter Biskind and Constance Penley are included.

This book takes an innovative approach to the study of memories of transit and exile in Portugal between 1933 and 1945 in artistic media. Informed by contemporary debates within memory and translation studies, it develops a translational perspective on transcultural memory and explores its ethical implications. This study provides an in-depth analysis of Daniel Blaufuks’s inter-art project Sob Céus Estranhos, Domingos Amaral’s novel Enquanto Salazar Dormia and João Canijo’s documentary Fantasia Lusitana. It examines the heterocultural networks of signification that these artistic media mobilize to implicate the presence of World War II refugees in Portugal in contemporary negotiations of communality. By approaching memory through a translational lens on culture, this book also offers new perspectives on remediation, memory transfer and the ethical dimensions of remembrance in the context of transcultural memory and migration.

With Contemporary Jewellery in Portugal Cristina Filipe presents a comprehensive examination of the history of Portuguese studio jewellery from the dawn of the avant-garde in the 1960s through to the contemporary trends of the early twenty-first century. Filipe sheds light on societal upheavals as well as on the actors who helped to transform jewellery design in Portugal. For here, too -- and even under the pressure and restrictions of the Estado Novo dictatorship under António de Oliveira Salazar (1930s through to the so-called Carnation Revolution of 1974) -- artists reacted to international influences and developed their specific responses to them. Courtesy of numerous interviews with protagonists from the different generations, the author has accomplished a detailed record of developments and trends in contemporary jewellery in Portugal.