As poet, critic, theorist and teacher, Charles Olson extended the possibilities of modern writing. From Call Me Ishmael, his pioneering study of Herman Melville, to his epic poetic project The Maximus Poems, Olson probed the relation between language, space and community. Writing in the aftermath of the Second World War, he provided radical resources for the re-imagining of place and politics, resources for collective thought and creative practice we are still learning how to use. Re-situating Olson’s work in relation both to his own moment and to current concerns, the essays assembled in Contemporary Olson provide a major re-assessment of his place in postwar poetry and culture. Through a series of contextualising chapters, discussions of individual poems and reflections on Olson’s legacy by leading international writers and critics, the book presents a poet who still informs contemporary poetry, whose thought and compositional innovations continue to provoke. Remote as some of his fascinations must now seem, Olson is shown nonetheless to offer a poetry and poetics that speaks clearly to our own fraught historical moment. Contemporary Olson opens this major writer to new readings and new readers.

Covering the fundamentals of stochastic processes, this title includes the basics of Poisson processes, Markov chains, branching processes, martingales, and diffusion processes. It presents a unique blend of theory and applications, with special emphasis on mathematical modelling, computational techniques and examples from the biological sciences. It is appropriate for students in applied mathematics, biostatistics, computational biology, computer science, physics, and statistics.

Olson's clear and concise overview roots contemporary questions firmly in Christian responses to the Enlightenment. He discusses the range of contemporary opinions, their rationales, and what's at stake. Olson illustrates these alternate frameworks as they play out in central concerns over the being of God in relation to the universe, how to understand the figure of Christ today, and the distinctively new notions of being human. Specifically geared to the novice theologue in college or seminary settings, Olson's text includes Reflection/Research Questions, Suggestions for Further Reading, and a Glossary.

In this major revision and expansion of the classic 20th Century Theology (1992), coauthored with Stanley J. Grenz, Roger Olson tells the full story of modern theology from Descartes to Caputo, from the Kantian revolution to postmodernism, now recast in terms of how theologians have accommodated or rejected modernity.

Calvinist theology has been debated and promoted for centuries. But is it a theology that should last? Roger Olson suggests that Calvinism, also commonly known as Reformed theology, holds an unwarranted place in our list of accepted theologies. In Against Calvinism, readers will find scholarly arguments explaining why Calvinist theology is incorrect and how it affects God’s reputation. Olson draws on a variety of sources, including Scripture, reason, tradition, and experience, to support his critique of Calvinism and the more historically rich, biblically faithful alternative theologies he proposes. Addressing what many evangelical Christians are concerned about today—so-called “new Calvinism,” a movement embraced by a generation labeled as “young, restless, Reformed” —Against Calvinism is the only book of its kind to offer objections from a non-Calvinist perspective to the current wave of Calvinism among Christian youth. As a companion to Michael Horton’s For Calvinism, readers will be able to compare contrasting perspectives and form their own opinions on the merits and weaknesses of Calvinism.

“Staying Open, Charles Olson’s Sources and Influences” investigates the inter-disciplinary influences on the work of the mid-Century American poet, Charles Olson. This edited collection of essays covers Olson’s diverse non-literary interests, including his engagement with the music of John Cage and Pierre Boulez, his interests in abstract expressionism, and his readings of philosopher Alfred North Whitehead. The essays also examine Olson’s pedagogy, which he developed in the experimental environment at Black Mountain College, as well as his six-month archeological journey through the Yucatan Peninsula in 1950 to explore the culture of the Maya. This book will, therefore, be a strong research aid to scholars working in diverse fields – music, archeology, pedagogy, philosophy, art, and psychology – as it outlines methods for close inter-disciplinary work that can uncover the mechanics of Olson’s creative, literary processes. Building on the straightforward scholarship of George Butterick, whose Guide to the Maximus Poems remains indispensable for readers of Olson’s work, the essays in this volume will also guide readers through the thick allusions within The Maximus Poems itself. New interest in the wide-ranging and non-literary nature of Olson’s thought in several recent academic works makes this book both timely and necessary. Physics Envy: American Poetry and Science in the Cold War and After by Peter Middleton as well as Contemporary Olson edited by David Herd have started the process of uncovering the extent to which Olson’s inter-disciplinary interests inflected his poetic compositions. “Staying Open” extends the preliminary investigations of Olson’s non-literary sources in those volumes by bringing together a community of scholars working across disciplines and within a wide variety of humanistic concerns.

A high school outcast spends his life hoping to be abducted by aliens in this funny, quirky novel about finding your footing in a world that sometimes feels like Mars. Convinced his mother has been abducted by aliens, Charlie Dickens spends his nights with an eye out for UFOs, hoping to join her. After all, she said the aliens would come back for him. Charlie will admit that he doesn’t have many reasons to stick around; he doesn’t get along well with his father, he’s constantly bullied at school and at work, and the only friend he has is his 600-pound neighbor Geoffrey, and Geoffrey’s three-legged dog, Tickles. Then Charlie meets popular, easy-going Seth, who shows him what real friendship is all about. For once, he finds himself looking around at the life he’s built, rather than looking up. But sooner than he expected, Charlie has to make a decision: should he stay or should he go?