(Vocal Collection). This four-volume series is a giant resource of songs from msucials that appeal to the young singer. Contents: Astonishing (from the Broadway Musical LITTLE WOMEN) * Belle (Reprise) (from BEAUTY AND THE BEAST) * Come To Your Senses (from TICK, TICK...BOOM!) * Everything I Know (from IN THE HEIGHTS) * Find Your Grail (from MONTY PYTHON'S SPAMALOT) * Finding Wonderland (from the Broadway Musical WONDERLAND) * Follow Your Heart (from URINETOWN) * Good Morning Baltimore (from HAIRSPRAY) * Home (from BEAUTY AND THE BEAST: THE BROADWAY MUSICAL) * I Know It's Today (from SHREK THE MUSICAL) * I Know The Truth (from Elton John and Tim Rice's AIDA) * I Speak Six Languages (from THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE) * I'm Not Afraid Of Anything (from SONGS FOR A NEW WORLD) * It Won't Be Long Now (from IN THE HEIGHTS) * The Lamest Place In The World (from the Broadway Musical 13) * Live Out Loud (from A LITTLE PRINCESS) * Maybe I Like It This Way (from THE WILD PARTY) * My New Philosophy (from YOU'RE A GOOD MAN, CHARLIE BROWN) * Once More I Can See (from the Broadway Musical WONDERLAND) * A Part Of That (from THE LAST FIVE YEARS) * Popular (from the Broadway Musical WICKED) * Practically Perfect (from MARY POPPINS) * Show Off (from THE DROWSY CHAPERONE) * So Much Better (from LEGALLY BLONDE) * Start Of Something New (from the Disney Channel Original Movie HIGH SCHOOL MUSICAL) * Tryouts (from BRING IT ON) * Waiting For Life (from ONCE ON THIS ISLAND) * We're Not Done (from BRING IT ON) * Whipped Into Shape (from LEGALLY BLONDE) * Whispering (from SPRING AWAKENING) * The Wizard And I (from the Broadway Musical WICKED)

Shares vocal and piano arrangements for songs from such musicals as "Hairspray," "The Addams Family," "Monty Python's Spamalot," and "Thoroughly Modern Millie."

The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today. Each essay traces the genealogy of the term or issue it addresses, including related issues and controversies, positions and problematizes those issues within larger bodies of scholarship, and provides specific examples drawn from shows and films. Essays both re-examine traditional topics and introduce underexplored areas. Reflecting the concerns of scholars and students alike, the authors emphasize critical and accessible perspectives, and supplement theory with concrete examples that may be accessed through links to the handbook's website. Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical perspectives to bear on their considerations of one of America's most lively, enduring artistic traditions. The Oxford Handbook of The American Musical will engage all readers interested in the form, from students to scholars to fans and aficionados, as it analyses the complex relationships among the creators, performers, and audiences who sustain the genre.

(Vocal Score). Vocal score with 15 songs from one of musical theatre's masterpieces. Includes: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * The Lonely Goatherd * Maria * My Favorite Things * Sixteen Going on Seventeen * So Long, Farewell * The Sound of Music * and more!

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.