A complete guide to playing Latin music on guitar

"This book is for guitarists who are new to jazz, but not beginners on guitar."--page 3.

This book is a guide to some of the techniques needed for getting into latin jazz guitar. There are 5 independent sections: References and definition of terms; exercises and/or pieces which demonstrate various guitar techniques; examples of common Rasgueado patterns; the Riverboat Suite, studies for developing rhythmic ability and appreciation; and pieces in a variety of different Latin styles. the CD, used in conjunction with the written notation, tablature and chord symbols, gives a clear idea of what is required for players and teachers of all levels. It is assumed that the reader is familiar with guitar and music notation, but glossaries of terms are included for reference. There are a variety of patterns which are employed in the different styles of music; the examples show how to get into some basic forms. All the techniques described are playable on the fingerstyle guitar, and the pieces themselves are selected and arranged with performance in mind.

* A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles -- Samba, Bossa Nova, Frevo, etc. * Comes with a CD of Nelson demonstrating each exercise, plus a tune in each style * Many variations of basic comping patterns written out, each with complete chord voicings. * Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto, etc.

Have you ever wondered how guitarists like Joe Pass, Jim Hall and Wes Montgomery find such full, luscious voicings for their chord melody playing? Well, much of that sound is based on the "Drop 2" principle of chord voicings. In this book, veteran guitarist Randy Vincent explains exactly how you can get that same sound too. Endorsed by Julian Lage, John Stowell, Larry Koonse, etc.

The most complete and comprehensive handbook outlining the role of the guitar in the music of Cuba, Brazil, Columbia, Mexico, and other South American countries in print. A complete survey and guide for any guitarist interested in performing different styles of Latin music. Each chapter examines the styles common to the music of a featured country. Includes a thorough exploration of the history, common instrumentation, core rhythms, guitar patterns and chord voicings, transcriptions, application, and provides musical examples in each style.Students will explore: Mambo, Cha-Cha, Samba, Bossa Nova, Cumbia, Vallenato, Baion, Bolero, Rumba Flamenco, and Contemporary Latin Pop...just to name a few! Students may choose to focus in on one style or sample many. This resource book contains valuable knowledge guitarists can also utilize in application to a multitude of branch styles (jazz, smooth jazz, pop, rock, and the ever – growing Latin Music market), including what to play with an ensemble.

The exercises and etudes in this book will help students gain the technique needed to execute great jazz lines. A mixture of technique builders and etudes are all designed to give jazz guitarists a daily workout. All of the exercises in this book are written with the plectrum guitarists in mind, but this doesn't mean that fingerstyle guitarists can't benefit from the exercises as well.