This book weaves archaeology, anthropology, culture, politics, colonial history, dance and choreography into a life-transforming tapestry. It charts the extraordinary story of the author’s work in South Africa during the abhorrent system of Apartheid when she started a mixed-race dance company called Moving into Dance in the garage of her house. Her in-depth research into rock art, its meaning, the creation and performance of Tranceformations, the dancers’ own transformative experiences, as well as issues of cultural appropriation, are at the core of this book. It straddles different disciplines, and shows in real terms how art, or specifically dance, can transform people’s lives, not only in physical or cognitive parameters, but that it can change attitudes and perceptions of both participants and observers; that it can touch the human spirit and transcend the very essence of being human. This book also includes a link to a video of the 30-minute dance “Tranceformations”, choreographed by the author.

This book weaves archaeology, anthropology, culture, politics, colonial history, dance and choreography into a life-transforming tapestry. It charts the extraordinary story of the author's work in South Africa during the abhorrent system of Apartheid when she started a mixed-race dance company called Moving into Dance in the garage of her house. Her in-depth research into rock art, its meaning, the creation and performance of Tranceformations, the dancers' own transformative experiences, as well as issues of cultural appropriation, are at the core of this book. It straddles different disciplines, and shows in real terms how art, or specifically dance, can transform people's lives, not only in physical or cognitive parameters, but that it can change attitudes and perceptions of both participants and observers; that it can touch the human spirit and transcend the very essence of being human.

San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.

This book weaves archaeology, anthropology, culture, politics, colonial history, dance and choreography into a life-transforming tapestry. It charts the extraordinary story of the author's work in South Africa during the abhorrent system of Apartheid when she started a mixed-race dance company called Moving into Dance in the garage of her house. Her in-depth research into rock art, its meaning, the creation and performance of Tranceformations, the dancers' own transformative experiences, as well as issues of cultural appropriation, are at the core of this book. It straddles different disciplines, and shows in real terms how art, or specifically dance, can transform people's lives, not only in physical or cognitive parameters, but that it can change attitudes and perceptions of both participants and observers; that it can touch the human spirit and transcend the very essence of being human. This book also includes a link to a video of the 30-minute dance "Tranceformations", choreographed by the author.

Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.

These volumes offer a one-stop resource for researching the lives, customs, and cultures of Africa's nations and peoples. Unparalleled in its coverage of contemporary customs in all of Africa, this multivolume set is perfect for both high school and public library shelves. The three-volume encyclopedia will provide readers with an overview of contemporary customs and life in North Africa and sub-Saharan Africa through discussions of key concepts and topics that touch everyday life among the nations' peoples. While this encyclopedia places emphasis on the customs and cultural practices of each state, history, politics, and economics are also addressed. Because entries average 14,000 to 15,000 words each, contributors are able to expound more extensively on each country than in similar encyclopedic works with shorter entries. As a result, readers will gain a more complete understanding of what life is like in Africa's 54 nations and territories, and will be better able to draw cross-cultural comparisons based on their reading.