This fully revised and updated third edition offers students and artists valuable insights into traditional color theory and its practical application using todayʼs cutting-edge technology. The text is lavishly illustrated, stressing issues of contemporary color use and examining how today’s artists and designers are using color in a multitude of mediums in their work. It is the only book that has parity between the male and female artists and designers represented, while containing more multicultural and global examples of art and design than any other text. This book begins with how we see color and its biological basis, progressing to the various theories about color and delving into the psychological meaning of color and its use. There are individual chapters on color use in art and design, as well as global and multicultural color use. One chapter investigates cross cultural life events such as marriages and funerals, while examining the six major religions’ conceptual and psychological underpinnings of color use. The final chapter explores the future of color. Contemporary Color is the ideal text for color theory courses, but also for beginning art and design students, no matter what their future major discipline or emphasis may be. It provides the foundation on which to build their career and develop their own personal artistic voice and vision.

Contemporary Color Theory: Watercolor Flowers teaches beginning and aspiring artists the basics of color theory and color mixing, and includes step-by-step watercolor painting projects featuring beautiful florals.

Color is the first and most important design choice a garden designer makes. Over the past decade, landscape architects and garden designers have moved away from the more sedate shades commonly found in traditional gardens and have used plants and hardscape to experiment with explosions of color. From the layered and textural colors of Piet Oudolf to the high contrast colors of Tom Stuart Smith, this increased focus on color is a trademark of today's leading designers. Contemporary Color in the Landscape explores the whole spectrum of color: how we perceive and respond to color, how to design with color, how to manipulate contrast and create intensity with saturation, how to maximize impact by minimizing color, how to find your own personal color combinations, and how color is viewed in nature. In gorgeous, color-drenched photos Andrew Wilson showcases the work of leading garden designers as inspiring examples of the way color is used. Innovative gardens from all over the world help the reader visualize the core color lessons throughout the book. Supported by more than 300 stunning photographs, Contemporary Color in the Landscape integrates cutting-edge designers, their landscapes, color theory, new design ideas, and gorgeous photography into one inspirational, instructional, and must-have guide for design professionals.

Color is the first and most important design choice a garden designer makes. Over the past decade, landscape architects and garden designers have moved away from the more sedate shades commonly found in traditional gardens and have used plants and hardscape to experiment with explosions of color. From the layered and textural colors of Piet Oudolf to the high contrast colors of Tom Stuart Smith, this increased focus on color is a trademark of today’s leading designers. Contemporary Color in the Landscape explores the whole spectrum of color: how we perceive and respond to color, how to design with color, how to manipulate contrast and create intensity with saturation, how to maximize impact by minimizing color, how to find your own personal color combinations, and how color is viewed in nature. In gorgeous, color-drenched photos Andrew Wilson showcases the work of leading garden designers as inspiring examples of the way color is used. Innovative gardens from all over the world help the reader visualize the core color lessons throughout the book. Supported by more than 300 stunning photographs, Contemporary Color in the Landscape integrates cutting-edge designers, their landscapes, color theory, new design ideas, and gorgeous photography into one inspirational, instructional, and must-have guide for design professionals.

Aimed at professionals and students, this book explains how to make use ofolour in various types of painting. Colour theories are outlined, but theain emphasis of the book is the way contemporary artists such as Jasperohns and Milton Avery, actually use colour.

Writings on color from modernism to the present, with contributions writers from Baudelaire to Baudrillard, surveying art from Paul Gauguin to Rachel Whiteread.

Color has recently become the focus of scholarly discussion in many fields, but the categories of art, craft, science and technology, unreflectively defined according to modern disciplines, have not been helpful in understanding color in the early modern period. ‘Color worlds’, consisting of practices, concepts and objects, form the central category of analysis in this volume. The essays examine a rich variety of ‘color worlds’, and their constituent engagements with materials, productions and the ordering and conceptualization of color. Many color worlds appear to have intersected and cross-fertilized at the beginning of the seventeenth century; the essays focus especially on the creation of color languages and boundary objects to communicate across color worlds, or indeed when and why this failed to happen. Contributors include: Tawrin Baker, Barbara H. Berrie, Fokko Jan Dijksterhuis, Karin Leonhard, Andrew Morrall, Doris Oltrogge, Valentina Pugliano, Anna Marie Roos, Romana Sammern (Filzmoser) and Simon Werrett.