Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.

This book documents the emergence of a new wave of botanical painters who have built on one another's skills and techniques to produce work that rivals, and sometimes surpasses, the work of the 18th and 19th century painters.

Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.

The interest in botanical art is still growing and the authors of the bestselling 'Botanical Illustration Course with the Eden Project' bring fresh ideas to the genre. "Contemporary Botanical Illustration" covers some of the unusual colours that can be included in botanical art, from black flowers and plants – including seaweed – to green, blue and puce pink. The tricky subject of texture in both pencil and paint is covered in detail. And to ensure you are at the cutting edge of botanical art, the book covers the latest ideas for presentation of botanical art, including new ideas, some from the Far East, for arranging flowers before painting. Fantastically illustrated with drawings, stunning finished paintings and many step-by-step demonstrations, the book covers : An overview of contemporary botanical illustration • Your workplace and materials • Pencil drawing • Sketchbook practice • Composition • Basic colour theory • Colour and subjective colour exercises • Primary colours and their uses • Painting techniques • Paint it black • Challenging texture, pattern and colours • Food plants.

This is the story of one woman's journey from amateur painter to botanical artist, told through the sketchbooks and paintings she produced for the Distance Learning Diploma Course run by the Society of Botanical Artists. Packed with advice and tips, this book will serve as a guide and inspiration to anyone wanting to embark on life as a botanical artist. This book is both a showcase of Mary Ann Scott's work and a record of her achievements, including first-hand accounts of the joys and challenges she faced as she progressed. It contains work from every assignment she undertook, from her first attempts at drawing a tulip to the triumphant paintings she made for her diploma portfolio. Along the way are delicate floral compositions, juicy fruit and vegetables, botanical dissections, and her adventures out in the field. Margaret Stevens's comments on each assignments are also included, giving an insight into the assessment process and an all-round view of Mary Ann's successes and (very rare) failures. The book ends with a glorious selection of Mary Ann's ongoing work as a botanical artist.

This book is a celebration of the Shirley Sherwood Collection of contemporary botanical art, made over a period of 30 years by Dr Shirley Sherwood and considered the most important private collection of its kind in the world. In 2018 the 1000th painting was added to the collection, a pocket handkerchief by Coral Guest.