Linocut is used to stunning effect by artists, illustrators and designers because of its strong graphic qualities, accessibility and versatility. Whether you are printing by hand on your kitchen table or on a press in a print studio, this book gets you started and goes on to explore the myriad creative applications of linocut. It encourages you to experiment with different approaches to image making and explores new ways of thinking about how linocut can be used. Nick Morley shares his experience and specialist knowledge to make this practical guide an essential companion for everyone interested in this addictive and absorbing medium. Detailed information on which tools to buy, where to find the best materials, and how to set up your working space backed up with clear, step-by-step instructions and over 300 colour illustrations make this an essential guide to the vibrant and exciting art of linocut.

Grishin examines the nature of Australian printmaking and its role in contemporary art and visual communication - George Baldessin - Bea Maddock - Barbara Hanrahan - Martin Sharp - Brett Whitely; Screenprint - Etching - Linocut - Lithograph - Woodcut - Woodblock print.

A rich survey of the work of more than forty still life artists, which presents the genre in a uniquely contemporary light. Still life painting is a practice that goes back centuries but has recently been reinvigorated by a new generation of contemporary artists. Still Life explores the diverse practices of more than forty contemporary artists and documents their styles, subjects, visions, and philosophies as they reinterpret this art form for our age. While flowers and food are mainstays of the genre, more anomalous objects—such as books and beer cans, birds and balloons—can be found within these pages, adding an energy and intrigue to both the composition and the story of the work. This book captures the inanimate beauty of the everyday in the twenty-first century, and offers a meditation on human experience as well as the brevity of life. Featuring interviews with each of the artists, this accessibly written book is as appealing to established artists as it is for artists who are just starting out. Quoting John Bokor, author Amber Creswell Bell shares that “A collection of objects—no matter how mundane—tells a story. They are like a little world; you can get lost in them.” As a survey of stunning work or as an inspirational volume for the budding artist, this book presents in full color the art of today’s most original artists.

Art is one of the tools we have to sculpt time and create experiences that are highly concentrated, or open and infinite. - Doug Aitken American artist Doug Aitken is internationally recognised for his ambitious practice that incorporates objects, installations, photographs and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery and sound. Aitken has realised museum projects around the world, as well as monumental interventions within the natural landscape and below the ocean's surface. This beautifully designed book encompasses the breadth of Aitken's artistic practice and is produced on the occasion of his survey at the Museum of Contemporary Art (MCA) Australia. Edited by chief curator Rachel Kent, it features a series of in-depth interviews that provide fascinating insights into Aitken's creative thinking and his wider engagement with the creative communities around him; and a series of image plates documenting his acclaimed museum works, landscape interventions and live happenings. Informative and visually compelling, it is sure to be a favourite among Aitken's collectors, as well as those interested in contemporary art.

A rich and focused collection of works by over fifty outstanding Australian women artists who worked in Australia and abroad between 1880 and 1960. This book also provides great insights into women's professional and economic strategies of the time, in a predominately male environment and how women played a crucial role in the development of impressionism and modern art in Australia in the first decades of the 20th century. Some of Australia's most important women artists represented here include Margaret Preston, Grace Cossington Smith, Ethel Carrick Fox, Clarice Beckett and Hilda Rix Nicholas. An impressive selection of prints from Australia's most influential print makers, including Thea Proctor, Dorrit Black and Ethel Spowers. Also included are rarely or never before displayed works by artists including paintings by Dora Meeson, Florence Rodway, Grace Cossington Smith and Hilda Rix Nicholas. This important book brings much deserved attention to a group of talented, dedicated and determined women artists for whom the desire to create was paramount.

Exhibition catalogue