At their best, the pictures add to our understanding of the surface event documented and reveal something profound about the people pushing that history forward. — The Los Angeles Times Available for the first time in an accessible paperback edition, this groundbreaking book presents a remarkable selection of contact sheets and ancillary material, revealing how the most celebrated Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice, the book illuminates the creative methods, strategies, and editing processes behind some of the world’s most iconic images. Featured are 139 contact sheets from sixty- nine photographers, as well as zoom-in details, selected photographs, press cards, notebooks, and spreads from contemporary publications including Life magazine and Picture Post. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by the members’ estates. Many of the acknowledged greats of photography are featured, including Henri Cartier- Bresson, Elliott Erwitt, and Inge Morath, as well as such members of Magnum’s latest generation as Jonas Bendiksen, Alessandra Sanguinetti, and Alec Soth. The contact sheets cover over seventy years of history, from Robert Capa’s Normandy landings and the Paris riots of 1968 via Bruno Barbey, to images of Che Geuvara by René Burri, Malcolm X by Eve Arnold, and portraits of classic New Yorkers by Bruce Gilden.

The simplest, easiest, and quickest ways to learn over 250 Photoshop tips, tricks, and techniques! Scott Kelby, the world’s #1 best-selling photography technique books author, is back with a totally updated and revised new edition of his bestselling book How Do I Do That In Photoshop? This book presents an entirely new concept in Photoshop books—one that’s designed from the ground up to get you straight to whatever it is you need to do in Photoshop right now, get your answer fast, and get you back to editing your images in Photoshop. Photoshop has so much depth and so many features, tools, and filters that sometimes the things you need are…well…kinda hidden or not really obvious. In fact, there will probably be a lot of times when you need to get something done in Photoshop, and you know Photoshop can do it (because Photoshop can literally do just about anything), but you have no idea where Adobe hid that feature, or what the “secret handshake” or shortcut is to do that thing you need to do right now. That’s why this book was created: to quickly get you to the technique, the shortcut, the setting, or exactly the right thing, so you can do what you need to do right now.

Here’s how it works: When you need to know how to do a particular thing, you turn to the chapter where it would be found (Layers, Printing, Masking, Special Effects, etc.), find the thing you need to do (it’s easy; each page covers just one single topic), and Scott tells you exactly how to do it just like he was sitting there beside you, using the same casual style as if he were telling a friend. That way, you get back to editing your images fast. This isn’t a book of theory, full of confusing jargon and detailed multistep concepts. This is a book on which button to click, which setting to use, and exactly how and when to use it, so you’re never “stuck” in Photoshop again. This will be your “go-to” book that sits within reach any time you’re working in Photoshop, and you are going to love having this type of help right at your fingertips. TABLE OF CONTENTS Chapter 1: How to Get Around Like a Pro Chapter 2: How to Use Photoshop’s Tools Chapter 3: How to Use Camera Raw Like a Boss Chapter 4: How to Use Camera Raw’s AI-Powered Masking Tools Chapter 5: How to Crop, Resize & Stuff Like That Chapter 6: How to Work with Layers Chapter 7: How to Adjust Your Image Chapter 8: How to Remove, Add & Change Stuff Chapter 9: How to Make Beautiful Prints Chapter 10: How to Do the Most Popular Special Effects Chapter 11: How to Sharpen Your Images Chapter 12: Other Stuff You’ll Want to Know

Throughout Daido Moriyamas extensive career, he has continually sought new ways of presenting and recontextualizing his work, frequently recasting his images through the use of different printing techniques, installation, or re-editing and reformatting. In each iteration, images both old and new take on changed and newly charged significance. This volume, created during preparations for several international survey exhibitions, offers both the photographer and the viewer the opportunity to consider the photographers life work in a fresh light. The author has returned to his contact sheets from the past five decades, selecting previously known images as well as ones never before published. The pages offer reproductions of original contact sheets; sequences of new contact sheets made from recombined negative strips, which juxtapose images from the 1950s with those from the past ten years; and selections of individual images, both familiar and newly discovered. Together, these offer a compact and comprehensive assembly of the artists oeuvre, tracing recurring motifs and proposing startling new interpretations of some of his most iconic images. Moriyama has always sought meaning in the raw accumulation and gestalt of sequences of images. Labyrinth: Daido Moriyama makes public an exercise in reconsideration that the photographer has assigned to himself. In opening up this private process of re-examination to a wider public, Moriyama continues to challenge the viewer and his own practice, as well as the larger mechanisms by which photography functions and creates meaning.

The first major monograph on the leading Magnum photographer, Elliott Erwitt.

A glimpse inside the darkroom--and into the strategies of renowned photographers This handsome volume offers an innovative perspective on the artistic processes of some of the most influential photographers of the 20th century. For decades before the advent of digital technology, the proof sheet or contact sheet was vital to the practice of photography. Photographers using roll film first saw positive images in the small-scale grid of the contact, which was marked for printing and served as a lasting reference. Because contact sheets typically remained out of view, they offer a privileged window into the working process. Photographers also recognized aesthetic potential in the proof sheet itself and occasionally presented the contact grid as a finished work of art. The lively but largely unexplored territory of the contact sheet is richly represented in the previously unpublished collection assembled by Mark Schwartz and Bettina Katz. As he charts this territory, Peter Galassi offers fresh insights into the work of Diane Arbus, Richard Avedon, Harry Benson, Harry Callahan, Larry Fink, Robert Frank, Emmet Gowin, Philippe Halsman, Arnold Newman, Irving Penn, and others. Distributed for the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art (February 7-April 19, 2020)

Presents more than four hundred photographs taken by the photograhers of Magnum Photos.

There is a voyeuristic thrill in contact sheets, the direct prints used by photographers of the pre-digital age to edit their work. You look directly through the photographer's eyes as each photo gets closer to that perfect shot. And yet, it's often the photos not chosen that best capture the true spirit of their subjects and the life they lead after the director yells cut. This was never truer than in the classic Hollywood era, where behind-the-scenes photos were carefully vetted for marketing purposes and unapproved shots were never expected to be seen again. Hollywood Frame by Frame presents hundreds of never-before-published photos from the sets of some of the greatest films of the twentieth century. Hollywood's biggest stars are caught with their guard down behind the scenes of movie classics from Some Like It Hot and Breakfast at Tiffany's to Taxi Driver and The Silence of the Lambs. A treasure trove for any fan of Hollywood's Golden Age, this rare glimpse of the unseen silver screen will intrigue even movie buffs who think they've seen everything.