What was the basis for the adoption of mathematics as the primary mode of discourse for describing natural events by a large segment of the philosophical community in the seventeenth century? In answering this question, this book demonstrates that a significant group of philosophers shared the belief that there is no necessary correspondence between external reality and objects of human understanding, which they held to include the objects of mathematical and linguistic discourse. The result is a scholarly reliable, but accessible, account of the role of mathematics in the works of (amongst others) Galileo, Kepler, Descartes, Newton, Leibniz, and Berkeley. This impressive volume will benefit scholars interested in the history of philosophy, mathematical philosophy and the history of mathematics.

Enth. u. a.: S. 74: Concrete art (1936-49) / Max Bill. - S. 74-77: The mathematical approach in contemporary art (1949) / Max Bill. - S. 301-304: Dieter Roth.

Harvey Quaytman’s paintings are distinct for their inventive, whimsical exploration of shape, meticulous attention to surface texture, and experimental application of color. While his works display a rigorous commitment to formalism, they are simultaneously invested with rich undertones of sensuality, decorativeness, and humor—expressed, too, in his playful poetic titles, such as A Street Called Straight and Kufikind. Demonstrating the arc of Quaytman’s oeuvre, from his radically curvilinear canvases of the late 1960s and 1970s, to his exploration of serialized geometric abstraction in the 1980s, and finally to his serene cruciform canvases of the 1990s, this retrospective exhibition and accompanying illustrated catalogue is a timely reconsideration of Quaytman’s influential work, placing him and his work more prominently in the trajectory of American modern art. With contributions by Suzanne Hudson and John Yau, as well reflections by R. H. Quaytman, an artist and the daughter of Harvey Quaytman, on her father’s work and life. Published in association with the Berkeley Art Museum and Pacific Film Archive (BAMPFA). Exhibition dates: October 17, 2018–January 27, 2019, Berkeley Museum of Art Pacific Film Archive (BAMPFA).