This book explores the colonial history of Cyprus through the history of technology. Based on materialist and actor-network approaches to power, it unfolds the role of technology in the formation of British colonial rule during critical episodes in Cyprus. It considers the entanglement of colonial rule and technology in four cases of infrastructural development: the island-wide electrification project, Famagusta and Larnaca Harbours, and the Cyprus Government Railway. Throughout these cases, the reader will discover the expert-based, developmentalist and material ways of governing crises with which the British Empire expected to reproduce and prolong its rule on the island.

This book explores the colonial history of Cyprus through the history of technology. Based on materialist and actor-network approaches to power, it unfolds the role of technology in the formation of British colonial rule during critical episodes in Cyprus. It considers the entanglement of colonial rule and technology in four cases of infrastructural development: the island-wide electrification project, Famagusta and Larnaca Harbours, and the Cyprus Government Railway. Throughout these cases, the reader will discover the expert-based, developmentalist and material ways of governing crises with which the British Empire expected to reproduce and prolong its rule on the island.

A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.

One of the most dramatically significant themes of the twentieth century has been the decline and final dismemberment of the European colonial empires. This book outlines the general features which influence this decline and, by concentrating on a series of case studies, emphasises the varieties of experience within this broad historical process. While primarily concerned with events in the British Empire, the largest of the imperial systems, Dr Holland also considers developments in the French, Belgian, Dutch and Portuguese dependencies. The chronologically arranged sections focus on the sources of weakness in the European empires between 1918 and 1939; the impact of the Second World War; the upheavals of the post-war crisis; the move to decolonization in the later 1950's and early 1960's; and the subsequent realignment of relations between advanced and non-advanced nations. The aim of this study is to provide an introductory text for sixth form and university students on a vital dimension of change within international relationships in twentieth century.

A striking new interpretation of colonial policing and political violence in three empires between the two world wars.

We live in a visual age. Images and visual artefacts shape international events and our understanding of them. Photographs, film and television influence how we view and approach phenomena as diverse as war, diplomacy, financial crises and election campaigns. Other visual fields, from art and cartoons to maps, monuments and videogames, frame how politics is perceived and enacted. Drones, satellites and surveillance cameras watch us around the clock and deliver images that are then put to political use. Add to this that new technologies now allow for a rapid distribution of still and moving images around the world. Digital media platforms, such as Twitter, YouTube, Facebook and Instagram, play an important role across the political spectrum, from terrorist recruitment drives to social justice campaigns. This book offers the first comprehensive engagement with visual global politics. Written by leading experts in numerous scholarly disciplines and presented in accessible and engaging language, Visual Global Politics is a one-stop source for students, scholars and practitioners interested in understanding the crucial and persistent role of images in today’s world.

In 1974 the Greek colonels ousted the Greek-Cypriot leader of Cyprus, Archbishop Makarios, and Turkey retaliated by invading and seizing a third of the island. Cyprus remains split in two, like Berlin before the wall came down, bristling with troops and spying bases, and permanently policed by the United Nations. Henry Kissinger claimed he could do nothing to stop the coup because of the Watergate crisis, but this book presents evidence to support the view that it was no failure of American foreign policy, but the realization of a long-term plot. The authors describe the strategic reasons for Washington's need to divide the island. Their account encompasses an international cast of characters that includes Eden, Eisenhower, Nixon, Kissinger, Wilson, Callaghan, Grivas, and the leaders of the two halves of the divided island, Clerides and Denktas.