This text actually narates jobs gone bad from the world of construction dealing with busts in plans, extras, delays, interference, scheduling, extra work, change orders, defective construction, inadequate supervision and incompetent contractors.

This book offers a novel and productive explanation of why 'ordinary' people can be moved to engage in destructive mass violence (or terrorism and the abuse of rights), often in large numbers and in unexpected ways. Its argument is that narratives of insecurity (powerful horror stories people tell and believe about their world and others) can easily make extreme acts appear acceptable, even necessary and heroic. As in action or horror movies, the script dictates how the 'hero' acts. The book provides theoretical justifications for this analysis, building on earlier studies but going beyond them in what amount to a breakthrough in mapping the context of mass violence. It backs its argument with a large number of case studies covering four continents, written by prominent scholars from the relevant countries or with deep knowledge of them. A substantial introduction by the UN's Special Advisor on the Prevention of Genocide demonstrates the policy relevance of this path-breaking work.

Renowned architect Eberhard Zeidler tells his story in a two-volume book that explores his early life in Germany and his years in Canada after he moved there in 1951. Architect of Toronto's Eaton Centre and Trump International Hotel and Tower, Zeidler has left his stamp on the urban landscape of Canada, the United States, and the rest of the world.

What is the truth? It can mean so many different things to so many people. This is a book about one man’s literary journey toward the truth. It is his truth, and not necessarily yours. It might make you laugh out loud, or it might make you angry, or it might make you want to hide, or it might just turn your stomach. It’s a deeply personal book about a deeply personal subject. There’s a little something for everyone, and a lot to think about, and in some cases, maybe, much ado about nothing at all. Livened up with the author’s own hand-penned illustrations, it is surely an effort you are unlikely to forget.