The original vision on contemporary design and the encounter with other disciplines opens the architecture of Philippe Rahm to multiple possibilities. Constructed Atmospheres provides a selection of projects in which light, temperature, pressure, humidity, represent the 'brick' for a new discipline that can be defined by the term "meteorological design". Philippe Rahm's design is based on the principle that man faces reality from the inside and does not produce objects but atmospheres. The book provides a profile of the Swiss architect both as a theorist and as a designer, through the most recent works and a series of conversations conducted by Massimiliano Scuderi between 2011 and today. This book is in English only, it is a black and white edition of the bilingual book (English and Italian) "Philippe Rahm Architectes.Atmosfere Costruite _ Constructed Atmospheres" published by Postmedia Books (Milano 2014) isbn 9788874901241

Cities grow and change. New urban space emerges and existing urban spaces are being changed. We expect from these spaces not only to fulfil important functions, but also to possess particular spatial qualities. How can such qualities be defined and evaluated? Jürgen Weidinger, professor for landscape architecture at the Technische Universität Berlin answers to these questions by engagement with the phenomenon of atmosphere. This way, the spatial quality of urban places, such as parks, promenades and squares, can be augmented. Weidinger offers a method for the designing of atmospheric places. This approach can also serve to evaluate design concepts and realised projects. The reader presents comments by internationally active landscape architects as well as writers from different fields such as environmental psychology, theatre studies, the arts and literature studies. Cities grow and change. New urban space emerges and existing urban spaces are being changed. We expect from these spaces not only to fulfil important functions, but also to possess particular spatial qualities. How can such qualities be defined and evaluated? Jürgen Weidinger, professor for landscape architecture at the Technische Universität Berlin answers to these questions by engagement with the phenomenon of atmosphere. This way, the spatial quality of urban places, such as parks, promenades and squares, can be augmented. Weidinger offers a method for the designing of atmospheric places. This approach can also serve to evaluate design concepts and realised projects. The reader presents comments by internationally active landscape architects as well as writers from different fields such as environmental psychology, theatre studies, the arts and literature studies. Städte wachsen und verändern sich. Neue Stadträume entstehen und bestehende Stadträume werden verändert. Von diesen Orten erwarten wir, dass sie nicht nur wichtige Funktionen übernehmen, sondern auch über besondere räumliche Qualitäten verfügen. Wie können diese räumlichen Qualitäten beschrieben und bewertet werden? Jürgen Weidinger, Professor für Landschaftsarchitektur an der Technischen Universität Berlin, beantwortet diese Frage durch die Auseinandersetzung mit dem Phänomen der Atmosphäre. Die räumliche Qualität städtischer Orte, wie Parks, Promenaden und Stadtplätze kann in dieser Weise gesteigert werden. Weidinger bietet eine Methode für das Entwerfen atmosphärischer Orte an. Dieser Ansatz kann auch dazu dienen, Entwurfsideen und realisierte Projekte zu bewerten. Im Sammelband äußern sich neben international tätigen Landschaftsarchitekten auch Autoren aus den Bereichen Umweltpsychologie, Theater-, Kunst und Literaturwissenschaft.

What really constitutes an architectural atmosphere," Peter Zumthor says, is this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way." Zumthor's passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it? In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and presence" of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.

This book offers an ethnographic exploration of the role that atmosphere plays in work processes undertaken within an urban design studio. It provides understandings of how architectural practices are fuelled with atmosphere in various configurations throughout different design phases of selected projects for construction. From the outside architectural practices commonly appear well-ordered and carefully considered, established by proof and rationally justified. This book though poaches on architects’ preserves in order to draw attention to features of unpredictability and uncertainty within the design phases. By opening up into the ‘machinery room’ of urban designers, the goal is not to spoil the plaster saint cover of a ‘starchitect’ business, but to remind about the crucial value that pockets of doubt issuing questions rather than answers, open-mindedness instead of single-mindedness, play to the processes of design production and creativity. The book identifies these pockets as atmospheres enveloping the architectural practice.

How will the human body, collective and individual, cope with the estimated increases in global air temperatures and in the earth's corresponding thermal stress? Atmosphere Anatomies: On Design, Weather, and Sensation offers an in-depth examination of design strategies that situate the body and its bioclimatic milieu at the core of their spatial formation. Drawing upon ten paradigmatic projects in urban design and landscape architecture - from Rousham Gardens, Oxfordshire, to the city of Chandigarh in India - the book investigates the designers' bioclimatic aims and their spatial outcomes. Woven throughout the book, the evocative photographic essays of Iwan Baan showcase the selected projects as inhabited spaces for everyday life.

Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Böhme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Böhme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, commodity aesthetics, advertising, architecture, design, and art. The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works.