Few alphabets in the world are actively celebrated, and none more so than the Slavonic. Annually across Eastern Europe, the alphabet and its inventors, Cyril and Methodios, are celebrated with parades, concerts, liturgical services, and public addresses by presidents, ministers, and mayors. Inventing Slavonic: Cultures of Writing Between Rome and Constantinople offers a new reading of the invention of the Slavonic alphabet and its implications. Its premise is simple: namely, that the alphabet was not invented once, but that it continued to be contested and redefined in the century after its creation. However, Inventing Slavonic goes against the grain of modern scholarship and popular common sense, where a stable and fossilized story about Cyril, his brother and companion Methodios, and the alphabet still persists. Mirela Ivanova shows that this well-known story is, in fact, a Frankenstein's monster, bolted together from texts which originally attributed quite different and often conflicting meanings to the elements which make up this supposedly unified narrative. In this narrative's place, the book offers a series of new readings of our earliest sources for the alphabet's appearance. In doing so, it constructs a new social history of the early script's fragility, and the ways in which its existence was conditioned by changes in socio-political life between Rome and Constantinople.

Assembles evidence from Frankish, Moravian, and Byzantine documents; from archaeological finds; and details of the terrain to buttress the view that the center of the Slavic Moravian empire was in what is now Serbia, much farther southeast than is usually thought. This interpretation explains how the Franks managed otherwise inexplicable military successes against the Moravians.

The Khazar Empire was one of the major states of medieval Eurasia. Drawing on a variety of disciplines (history, linguistics, archaeology, literary studies), the papers in this volume shed new light on many of the disputed topics in Khazar history.

This book describes the role of the medieval Orthodox Church in the Byzantine Empire (c.600-c.1453). As an integral part of its policy it was (as in western Christianity) closely linked with many aspects of everyday life both official and otherwise. It was a formative period for Orthodoxy. It had to face doctrinal problems and heresies; at the same time it experienced the continuity and deepening of its liturgical life. While holding fast to the traditions of the fathers and the councils, it saw certain developments in doctrine and liturgy as also in administration. Part I discusses the landmarks in ecclesiastical affairs within the Empire as well as the creative influence exercised on the Slavs and the increasing contacts with westerners particularly after 1204. Part II gives a brief account of the structure of the medieval Orthodox Church, its officials and organization, and the spirituality of laity, monks, and clergy.

This book, the newest volume in the CUA Studies in Early Christianity, presents original works by leading patristics scholars on a wide range of theological, historical, and cultural topics

This volume contains selected papers from an international conference held in 2009 in Varna, Bulgaria. The papers represent major trends and developments in current research on the medieval Slavonic biblical tradition, primarily in comparison with Greek and Hebrew texts. The volume covers the translation of the canonical, apocryphal and pseudepigraphical books of the Old and New Testaments and its development over the ninth to sixteenth centuries. Another focus is on issues relating to Cyril and Methodius, the creators of the first Slavonic alphabet in the ninth century and the first translators of biblical books into Slavonic. The analytical approach in the volume is interdisciplinary, applying methodologies from textual criticism, philology, cultural and political history, and theology. It should be of value to Slavists, Hebraists and Byzantinists.