For over a thousand years, the medieval city of Constantinople has been the jewel on the crown of the Roman Empire. Now, the once-mighty metropolis is broken down, with its defensive walls in shambles. Long have the neighboring Turks wanted to claim the city, and Mehmet--the impetuous new Turkish sultan--thinks he and his legions might finally have their chance. In defiance of his late father's advisors, Mehmet vows to be the first leader in a millennium to wrench Constantinople from the Christians. He is determined to take the city from the weakened but beloved Emperor Constantine--even if he loses his throne and his life in the process. An epic historical military adventure, Constantinopolis plots out the future of civilization as shaped by a number of fascinating characters, including one leader desperate to save his people from destruction and another determined to lead his nation to glory. Revised edition: This edition of Constantinopolis includes editorial revisions.

"Studies the reconstruction of Byzantine Constantinople as the capital city of the Ottoman empire following its capture in 1453, delineating the complex interplay of socio-political, architectural, visual, and literary processes that underlay the city's transformation"--Provided by publisher.

Pentcheva demonstrates that a fundamental shift in the Byzantine cult from relics to icons, took place during the late tenth century. Centered upon fundamental questions of art, religion, and politics, Icons and Power makes a vital contribution to the entire field of medieval studies.

On a monetary basis, Magdala must be considered as one of the most important and active settlements between the 1st century BC and most of the 3rd century AD on Lake Kinneret, a place of production and trade, of supply for military forces, certainly in contact with other trading centres, probably located on the Mediterranean coast, however in a 'market' perspective quite different from our current experience and even from the semantic content of this word, often abused with a semantic extension that does not correspond to the experience of the ancients. Its monetary decline started on the early 4th century, when the economic and monetary strategies of the Constantinian era shifted the flow of money to other routes, especially between the great port cities of the Mediterranean. The welcome contribution of Callegher's study derives from the new data published, which allows us to overcome "clichés" and a stereotypical view of both the archaeological site and the economy of the Upper Galilee.

This is the first fully illustrated catalogue of a major collection of late Roman and early Byzantine imperial coins. It follows the general layout of the Byzantine volumes in the Dumbarton Oaks series, with a substantial introduction dealing with the history of the coinage, including iconography, mints, and monetary system. In this volume, however, all the coins are illustrated in the plates.

In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.

Numismatic auction catalogue containing ancient coins. Numismatischer Auktionskatalog mit antiken Münzen. ------------------------------------- SINCONA Swiss International Coin Auction is a Swiss auction house for numismatics in Zurich, specializing in coins, medals, banknotes and decorations. SINCONA Swiss International Coin Auction ist ein Schweizer Auktionshaus für Numismatik in Zürich, spezialisiert auf Münzen, Medaillen, Banknoten und Ehrenzeichen.