This volume explores the role played by conspiracy narratives in the contemporary Italian political, cultural, and social context, through a series of case studies. It begins with a historical and genealogical account of the troubled success of Italian conspiracy thinking from the early 1970s to the present day. Among the issues examined are the unclear division between legitimate/illegitimate forms of knowledge, the use of conspiracy as a confrontational discursive device, the emergence of moral panic, and the stabilization of information outlets against dominant official explanations. The analysis covers the case of a well-known national survey, and a digital platform specializing in conspiracy storytelling. The second axis of the book concerns the pervasive use of conspiracy as a theory or narrative that currently circulates in various Italian cultural fields: multiculturalism, immigration, and racism; Catholic traditionalism; football fandom; small business economics; and cooking and food. This volume will be of interest to researchers of conspiracy theories, and Italian politics and history.

This edited volume investigates for the first time the impact of conspiracy theories upon the understanding of Europe as a geopolitical entity as well as an imagined political and cultural space. Focusing on recent developments, the individual chapters explore a range of conspiratorial positions related to Europe. In the current climate of fear and threat, new and old imaginaries of conspiracies such as Islamophobia and anti-Semitism have been mobilised. A dystopian or even apocalyptic image of Europe in terminal decline is evoked in Eastern European and particularly by Russian pro-Kremlin media, while the EU emerges as a screen upon which several narratives of conspiracy are projected trans-nationally, ranging from the Greek debt crisis to migration, Brexit and the COVID-19 pandemic. The methodological perspectives applied in this volume range from qualitative discourse and media analysis to quantitative social-psychological approaches, and there are a number of national and transnational case studies. This book will be of great interest to students and researchers of extremism, conspiracy theories and European politics.

This collection of state-of-the-art essays explores conspiracy cultures in post-socialist Eastern Europe, ranging from the nineteenth century to contemporary manifestations. Conspiracy theories about Freemasons, Communists and Jews, about the Chernobyl disaster, and about George Soros and the globalist elite have been particularly influential in Eastern Europe, but they have also been among the most prominent worldwide. This volume explores such conspiracy theories in the context of local Eastern European histories and discourses. The chapters identify four major factors that have influenced cultures of conspiracy in Eastern Europe: nationalism (including ethnocentrism and antisemitism), the socialist past, the transition period, and globalization. The research focuses on the impact of imperial legacies, nation-building, and the Cold War in the creation of conspiracy theories in Eastern Europe; the effects of the fall of the Iron Curtain and conspiracism in a new democratic setting; and manifestations of viral conspiracy theories in contemporary Eastern Europe and their worldwide circulation with the global rise of populism. Bringing together a diverse landscape of Eastern European conspiracism that is a result of repeated exchange with the "West," the book includes case studies that examine the history, legacy, and impact of conspiracy cultures of Bulgaria, Estonia, Hungary, Moldova, Poland, Romania, Russia, Slovakia, Ukraine, the former Yugoslav countries, and the former Soviet Union. The book will appeal to scholars and students of conspiracy theories, as well as those in the areas of political science, area studies, media studies, cultural studies, psychology, philosophy, and history, among others. Politicians, educators, and journalists will find this book a useful resource in countering disinformation in and about the region.

This book is about literary representations of the both left- and right-wing Italian terrorism of the 1970s by contemporary Italian authors. In offering detailed analyses of the many contemporary novels that have terrorism in either their foreground or background, it offers a “take” on postmodern narrative practices that is alternative to and more positive than the highly critical assessment of Italian postmodernism that has characterized some sectors of current Italian literary criticism. It explores how contemporary Italian writers have developed narrative strategies that enable them to represent the fraught experience of Italian terrorism in the 1970s. In its conclusions, the book suggests that to meet the challenge of representation posed by terrorism fiction rather than fact is the writer’s best friend and most effective tool.

Contemporary Italian Diversity in Critical and Fictional Narratives brings together creative literary works and scholarly articles. Both address the changes and challenges to identity formation in an Italy marked by the migrations, populism, nationalism, and xenophobia, and analyze diversity and the affirmation of belonging.

What drives terrorists to glorify violence? In The Revolutionary Mystique and Terrorism in Contemporary Italy, Richard Drake seeks to explain the origins of Italian terrorism and the role that intellectuals played in valorizing the use of violence for political or social ends. Drake argues that a combination of socioeconomic factors and the influence of intellectual elites led to a sanctioning of violence by revolutionary political groups in Italy between 1969 and 1988. Drake explores what motivated Italian terrorists on both the Left and the Right during some of the most violent decades in modern Italian history and how these terrorists perceived the modern world as something to be destroyed rather than reformed. In 1989, The Revolutionary Mystique and Terrorism in Contemporary Italy received the Howard R. Marraro Prize from the Society for Italian Historical Studies. It was awarded for the best book that year on Italian history. The book is reissued now with a new introduction for the light it might shed on current terrorist challenges. The Italians had success in combating terrorism. We might learn something from their example. The section of the book dealing with the Italian "superfascist" philosopher, Julius Evola, holds special interest today. Drake's original work takes on new significance in the light of Evola's recent surge of popularity for members of America's alt-right movement.

The Mirage of America in Contemporary Italian Literature and Film explores the use of images associated with the United States in Italian novels and films released between the 1980s and the 2000s. In this study, Barbara Alfano looks at the ways in which the individuals portrayed in these works – and the intellectuals who created them – confront the cultural construct of the American myth. As Alfano demonstrates, this myth is an integral part of Italians’ discourse to define themselves culturally – in essence, Italian intellectuals talk about America often for the purpose of talking about Italy. The book draws attention to the importance of Italian literature and film as explorations of an individual’s ethics, and to how these productions allow for functioning across cultures. It thus differentiates itself from other studies on the subject that aim at establishing the relevance and influence of American culture on Italian twentieth-century artistic representations.