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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Conspiracy of the Spaniards Against Venice, and of John Lewis Fiesco Against Genoa If, from the known prudence of a conspira rator, reliance may be'placed on his discre tion, he Will not, for that very reason, engage in such an undertaking so zealously as others he will perceive the magnitude and probabil ity of the danger to which he exposes himself, and will provide in the outset the means of retreat he will be apt to reflect that the ad vantages he may derive are uncertain, and that, if he makes a disclosure, he may be sure of safety and reward. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Niccolo Machiavelli, the first great Italian historian, and one of the most eminent political writers of any age or country, was born at Florence, May 3, 1469. He was of an old though not wealthy Tuscan family, his father, who was a jurist, dying when Niccolo was sixteen years old. We know nothing of Machiavelli's youth and little about his studies. He does not seem to have received the usual humanistic education of his time, as he knew no Greek. The first notice of Machiavelli is in 1498 when we find him holding the office of Secretary in the second Chancery of the Signoria, which office he retained till the downfall of the Florentine Republic in 1512. His unusual ability was soon recognized, and in 1500 he was sent on a mission to Louis XII. of France, and afterward on an embassy to Cæsar Borgia, the lord of Romagna, at Urbino. Machiavelli's report and description of this and subsequent embassies to this prince, shows his undisguised admiration for the courage and cunning of Cæsar, who was a master in the application of the principles afterwards exposed in such a skillful and uncompromising manner by Machiavelli in his Prince. The limits of this introduction will not permit us to follow with any detail the many important duties with which he was charged by his native state, all of which he fulfilled with the utmost fidelity and with consummate skill. When, after the battle of Ravenna in 1512 the holy league determined upon the downfall of Pier Soderini, Gonfaloniere of the Florentine Republic, and the restoration of the Medici, the efforts of Machiavelli, who was an ardent republican, were in vain; the troops he had helped to organize fled before the Spaniards and the Medici were returned to power. Machiavelli attempted to conciliate his new masters, but he was deprived of his office, and being accused in the following year of participation in the conspiracy of Boccoli and Capponi, he was imprisoned and tortured, though afterward set at liberty by Pope Leo X. He now retired to a small estate near San Casciano, seven miles from Florence. Here he devoted himself to political and historical studies, and though apparently retired from public life, his letters show the deep and passionate interest he took in the political vicissitudes through which Italy was then passing, and in all of which the singleness of purpose with which he continued to advance his native Florence, is clearly manifested. It was during his retirement upon his little estate at San Casciano that Machiavelli wrote The Prince, the most famous of all his writings, and here also he had begun a much more extensive work, his Discourses on the Decades of Livy, which continued to occupy him for several years. These Discourses, which do not form a continuous commentary on Livy, give Machiavelli an opportunity to express his own views on the government of the state, a task for which his long and varied political experience, and an assiduous study of the ancients rendered him eminently qualified. The Discourses and The Prince, written at the same time, supplement each other and are really one work. Indeed, the treatise, The Art of War, though not written till 1520 should be mentioned here because of its intimate connection with these two treatises, it being, in fact, a further development of some of the thoughts expressed in the Discorsi. The Prince, a short work, divided into twenty-six books, is the best known of all Machiavelli's writings. Herein he expresses in his own masterly way his views on the founding of a new state, taking for his type and model Cæsar Borgia, although the latter had failed in his schemes for the consolidation of his power in the Romagna. The principles here laid down were the natural outgrowth of the confused political conditions of his time.

Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’. Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, Resisting Postmodern Architecture resituates critical regionalism within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three areas of growing historical and theoretical interest: postmodernism, critical regionalism and globalisation. Based on more than 50 interviews and previously unpublished archival material from six countries, the book transgresses existing barriers to integrate sources in other languages into anglophone architectural scholarship. In so doing, it shows how the ‘periphery’ was not just a passive recipient, but also an active generator of architectural theory and practice. Stylianos Giamarelos challenges long-held ‘central’ notions of supposedly ‘international’ discourses of the recent past, and outlines critical regionalism as an unfinished project apposite for the 21st century on the fronts of architectural theory, history and historiography.