'Conspiracy Dwellings' brings together nine illustrated essays of theorists and art practitioners about artworks made in the midst of conflict or from the position of commentary in topics that span from the 70s to the present day. These essays also consider artworks that address conflict and resistance as a lived experience.

Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy.

Includes the decisions of the Supreme Courts of Massachusetts, Ohio, Indiana, and Illinois, and Court of Appeals of New York; May/July 1891-Mar./Apr. 1936, Appellate Court of Indiana; Dec. 1926/Feb. 1927-Mar./Apr. 1936, Courts of Appeals of Ohio.

In a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of ‘self’ and what is ‘seen’. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the ‘selves’ we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies.

This publication provides an introduction to key aspects of exhibition curation, from the early planning stages to the design and opening of the show. The booklet provides assistance to those organising both small-scale and large exhibitions, as well as offering guidance on working with paintings, sculptures, and contemporary installations. Whether your exhibition is to be held at a large venue, with a team of curators, conservators, and technicians, or a smaller institution, the authors have outlined the possible eventualities and responsibilities associated with exhibition planning. It also gives guidance on why and how to propose an exhibition, and offers general advice on planning and installation. It describes the roles of certain staff in galleries and museums, and their responsibilities when an exhibition is being put together. Case studies by academics who have worked on both large and small exhibitions also included, as well as an interview with an exhibition designer.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)