In this book, Megan McLaughlin explores the social and cultural significance of prayer for the dead in the West Frankish realm from the late eighth century through the end of the eleventh century. She argues that the primary function of funerary and commemorative rituals in the early middle ages was to sustain the dead as members of the Christian community on earth, and to link them symbolically with the community of saints in heaven.

In the urban communities of medieval Germany and northern France, the beliefs, observances, and practices of Jews allowed them to create and define their communities on their own terms as well as in relation to the surrounding Christian society. Although medieval Jewish texts were written by a learned elite, the laity also observed many religious rituals as part of their everyday life. In Practicing Piety in Medieval Ashkenaz, Elisheva Baumgarten asks how Jews, especially those who were not learned, expressed their belonging to a minority community and how their convictions and deeds were made apparent to both their Jewish peers and the Christian majority. Practicing Piety in Medieval Ashkenaz provides a social history of religious practice in context, particularly with regard to the ways Jews and Christians, separately and jointly, treated their male and female members. Medieval Jews often shared practices and beliefs with their Christian neighbors, and numerous notions and norms were appropriated by one community from the other. By depicting a dynamic interfaith landscape and a diverse representation of believers, Baumgarten offers a fresh assessment of Jewish practice and the shared elements that composed the piety of Jews in relation to their Christian neighbors.

Throughout history, Christians have prayed for the dead - both for continual growth of the faithful and for their advancement from purgatory, and sometimes, even, for the deliverance of the unsaved from hell. Understanding Prayer for the Dead defends all three kinds of prayer. It challenges Protestants, who seldom pray for the dead, to begin doing so - and Roman Catholics and Eastern Orthodox, who pray only for the Christian dead, to include the unsaved as well. James B. Gould addresses the biblical credentials of prayer for the dead and provides a historical overview of such prayers from ancient Christianity to the current practice of the three main branches of the Church. He also discusses the logical assumptions prayer for the dead requires - that prayer is effective, that the dead are conscious, and that the afterlife involves change - and lays out a theological framework for such prayers. Prayer for the departed raises the most basic of theological questions, matters that go to the centre of God's purpose in creating spiritual beings and redeeming sinful humankind. The argument, while revisionary in some respects, is orthodox, ecumenical, and integrative, engaging a range of academic disciplines so as to be biblically accurate, historically informed, and philosophically reasoned.

This volume deals with shifts and changes that took place during the Middle Ages when things, or ideas, or writings, were transferred from time to time, place to place, or one ideological realm to another. The same objects, ideas, or texts changed their meaning, impact, or symbolic value according to different contexts. The twelve papers, written by leading experts, investigate the authority attributed to texts and their canonization in different contexts; the shifting uses and meanings of gifts, from honorable instruments in the settlement of disputes to corruption and bribery; and the transition of violence and power from relationships between equals to a tool for the maintenance of hierarchies. Contributors include: Gadi Algazi, Monique Bernards, Arnoud-Jan Bijsterveld, Esther Cohen, Valentin Groebner, Yitzhak Hen, Mayke de Jong, Rob Meens, Marco Mostert, Thomas F.X. Noble, Timothy Reuter, Hendrik Teunis, and Stephen D. White.

The Written World draws on Orderic Vitalis's writings to investigate the ways in which high medieval historians understood geographical space to be a temporally meaningful framework for human affairs.

Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them. Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.