Despite sustained scholarly interest in the politics of modernism, astonishingly little attention has been paid to its relationship to Conservatism. Yet modernist writing was imbricated with Tory rhetoric and ideology from when it emerged in the Edwardian era. By investigating the many intersections between Anglophone modernism and Tory politics, Conservative Modernists offers new ways to read major figures such as T. S. Eliot, Ezra Pound, T. E. Hulme, and Ford Madox Ford. It also highlights the contribution to modernism of lesser-known writers, including Edward Storer, J. M. Kennedy, and A. M. Ludovici. These are the figures to whom it most frequently returns, but, cutting through disciplinary delineations, the book simultaneously reveals the inputs to modernism of a broad range of political writers, philosophers, art historians, and crowd psychologists: from Pascal, Burke, and Disraeli, to Nietzsche, Le Bon, Wallas, Worringer, Ribot, Bergson, and Scheler.

This book is designed as a timely analysis of the rise of post-modern conservatism in many Western countries across the globe. It provides a theoretical overview of post-modernism, why post-modern conservatism emerged, what distinguishes it from other variants of conservatism and differing political doctrines, and how post-modern conservatism governs in practice. First developing a unique genealogy of conservative thought, arguing that the historicist and irrationalist strains of conservatism were ripe for mutation into post-modern form under the right social and cultural conditions, then providing a new unique theoretical framework to describe the conditions for the emergence of post-modern conservatism, The Rise of Post-modern Conservatism applies its theoretical framework to a concrete analysis of the politics of the day. Ultimately, it aims to help us understand the emergence and rise of identity oriented alt right movements and their “populist” spokesmen particularly in the United States, the United Kingdom, Hungary, Poland, and now Italy.

British Decadent literature was a radical attack on conventional morality and middle-class taste, its insistence on the autonomy of art and its exploration of sexuality, dissipation, and depravity at odds with the literary and social establishment. Yet this counter-cultural narrative has obscured the often reactionary and elitist tendencies of Decadent writers and artists of the fin de siècle. Decadent Conservatism offers the first in-depth examination of the intersection of Decadence and conservatism, arguing that underpinning both was the desire to find alternatives to liberal modernity. Both Decadents and conservatives turned to the past to uncover values and models of social organisation that could offer stability in a chaotic world. From well-known figures such as Oscar Wilde and W.B. Yeats, through to the forgotten editors of short-lived periodicals, important female aesthetes such as Michael Field, and politicians such as Arthur Balfour, Decadent Conservatism challenges conventional understandings of the relationship between aesthetics, politics, and the past in late-Victorian Britain. Through a series of thematic chapters exploring the alternative communities created by little magazines, the politics of Individualism, investments in monarchy and religion, Folk Decadence, and jingoistic and nationalist responses to the Second Anglo-Boer war, this study offers a new, and much messier, picture of fin-de-siècle literary politics. It will be of interest to those working on Victorian literature and modernism, as well as social, political, and cultural history of the period 1880-1920.

Despite sustained scholarly interest in the politics of modernism, astonishingly little attention has been paid to its relationship to Conservatism. Yet modernist writing was imbricated with Tory rhetoric and ideology from when it emerged in the Edwardian era. By investigating the many intersections between Anglophone modernism and Tory politics, Conservative Modernists offers new ways to read major figures such as T. S. Eliot, Ezra Pound, T. E. Hulme, and Ford Madox Ford. It also highlights the contribution to modernism of lesser-known writers, including Edward Storer, J. M. Kennedy, and A. M. Ludovici. These are the figures to whom it most frequently returns, but, cutting through disciplinary delineations, the book simultaneously reveals the inputs to modernism of a broad range of political writers, philosophers, art historians, and crowd psychologists: from Pascal, Burke, and Disraeli, to Nietzsche, Le Bon, Wallas, Worringer, Ribot, Bergson, and Scheler.

Shows how shifting views on race caused the American conservative movement to surrender highbrow fiction to to progressive liberals.

Contemporary British Conservatism brings together a set of specially-commissioned chapters by leading authorities to provide a broad-ranging assessment of Conservative politics, policy and ideology today. A central concern throughout is to assess the impact of Thatcherism on the party and the extent to which there has been a return to more traditional Conservatism under John Major.

Bringing together contributions from established scholars as well as promising younger academics, the seventeenth volume of this established series offers a broad-ranging view of why Judaism, a religion whose observance is more honored in the breach in most western Jewish communities, has garnered attention, authority, and controversy in the late twentieth century. The volume considers the ways in which theological writings, sweeping social change, individual or small-group needs, and intra-communal diversity have re-energized Judaism even amidst secular trends in America and Israel.