Zdzislaw Najder, one of the world's leading authorities on Joseph Conrad and author of the major biography Joseph Conrad: A Chronicle (1983), is widely acclaimed for his particular insights into Conrad's Polish background. The fruits of thirty years of Conrad study appear in this landmark volume of his essays, which explore a wide range of topics: Conrad's national and cultural heritage; his fictions, from the unfinished 'Sisters' and Lord Jim to The Secret Agent; his attitude towards Russia in general and Dostoevsky in particular; his concepts of man and society; and the role of the idea of honour in his work. In a series of more general essays Najder goes on to place Conrad's work within a broad European philosophical, political and literary context. Conrad in Perspective offers new insights into the life and work of one of the twentieth century's greatest novelists by one of his most perceptive critics.

This is a collection of original essays by leading Conrad scholars that rereads Conrad in light of his representations of post-colonialism, of empire, imperialism, and of modernism, questions that are once again relevant today.

Joseph Conrad's ethical perspective is one of the deepest in twentieth-century fiction, yet it has been overlooked in recent scholarship. Joseph Conrad and Ethics is fully devoted to ethics in Conrad's fiction. It offers a thorough, in-depth analysis of Conrad's ethical reflection that challenges and extends current discussions.

Contagion - even today the word conjures up fear of disease and plague and has the power to terrify. The nine essays gathered here examine what pre-modern societies thought about the spread of disease and how it could be controlled: to what extent were concepts familiar to modern epidemiology present? What does the pre-modern terminology tell us about the conceptions of those times? How did medical thought relate to religious and social beliefs? The contributors reveal the complexity of ideas on these subjects, from antiquity through to the early modern world, from China to India, the Middle East, and Europe. Particular topics include attitudes to leprosy in the Old Testament and the medieval West, conceptions of smallpox etiology in China, witchcraft and sorcery as disease agents in ancient India, and the influence of classical Greek medical theory. An important conclusion is that non-medical perceptions are as crucial as medical ones in people’s beliefs about disease and the ways in which it can be combatted. Today we may not believe in the power of demons, but the idea that illness is retribution for sin retains great power, as was shown by the popular reaction to the spread of AIDS/HIV, and this is a lesson from the past that the medical profession would do well to heed.

Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Mémoires and to James's Portrait of a Lady in the writing of Suspense.Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works.Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel. Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

If you love nonfiction, which reads like a novel, multiple award-winning "PATH to FREEDOM: My Story of Perseverance" is for you. The Smithsonian Institution displays the inspirational memoir in its Anacostia Museum Library. Little about Conrad Taylor's upbringing in a remote mining town in Guyana, South America, prepared him for West Point - at the height of the Vietnam War. An extraordinary opportunity for most, the highly-regimented United States Military Academy was a life-changer for him. Enduring culture shock and surviving rude awakenings hardened the rigorous West Point Experience. And, Third World politics after West Point - because of West Point - tested it severely. The truth-is-stranger-than-fiction memoir has a simple proposition. Fly-or-die!" PATH to FREEDOM: My Story of Perseverance" describes what happened upon Taylor's return to a government turned repressive, anti-American, and paranoid - overnight. The Soviet-leaning, Cold-War-era dictatorship feared regime change. Its power-hungry leaders obsessed about him being a spy for the United States. His was the impossible task of proving that he was not - or else! The historically-accurate, coming-of-age book provides a unique prism through which to see the cultural trauma of emigration, the unique experience that is West Point, the personal side of Cold-War-era geopolitics, and the mayhem of Third World politics. The view will be nostalgic for some, shocking to many, and enlightening for others. Its subtly-threaded love story will enchant - at the very least. The Smithsonian Institution archives PATH to FREEDOM: My Story of Perseverance in its Anacostia Museum Library for the book's reference value. The renowned research complex selected the memoir for its insights about the history and culture of black people in the Western Hemisphere.

A diverse and multinational volume, this book showcases the passages of Joseph Conrad's narratives across geographical and disciplinary boundaries, focusing on the transtextual and transcultural elements of his fiction. Featuring contributions from distinguished and emergent Conrad scholars, it unpacks the transformative meanings which Conrad's narratives have achieved in crossing national, cultural and disciplinary boundaries. Featuring studies on the reception of Conrad in modern China, an exploration of Conrad's relationship with India, a comparative study of the hybrid art of Conrad and Salman Rushdie, and the responses of Conrad's narratives to alternative media forms, this volume brings out transtextual relations among Conrad's works and various media forms, world narratives, philosophies, and emergent modes of critical inquiry. Gathering essays by contributors from Canada, Hong Kong, India, Japan, Norway, Poland, Taiwan, the United Kingdom, and the United States, this volume constitutes an inclusive, transnational networking of emergent border-crossing scholarship.