This is a book of historical fiction. The story is loosely based on the life of my great-great-grandmother. The story spans one hundred years of Irish history. Connie, the main character in the book, lived through every year of the twentieth century. Connie was born in Belfast, North Ireland, in the year of 1900 and passed in the year of 2000. Connie lived through both the First and the Second World Wars. Connie also lived through what became known as the troubles in North Ireland. Hence the title, Connies Wars. Connie was born into an extremely wealthy family. It would be fair to say that Connie lived a life of privilege, wanting for nothing throughout her early years. As a child, Connie was taught by both her mother and father that to live a life of such privilege carried a huge responsibility. A duty to look after those less fortunate than she was. Connie was taught that it was the duty of the wealthy to provide work and security for the working classes. This was a lesson that Connie learned well and put it into practices throughout her life. Although a Unionist and loyal to the British Crown all her life, Connie never ever harbored bigoted thoughts of any kind. When dealing with people no matter their creed, Connie always treated people as just that, people.

I wrote this book for two reasons, both of which are tightly intertwined. First is the fact that my daughter Connie and I discussed writing this book together while she was a freshman at the University of Kentucky. After her death, I needed to accomplish that goal we had set together, to share our faith in God with others who were not fortunate to have been brought up in a Christian home. Second is the fact that I know Satan was controlling the drunk driver who was responsible for Connies death. Therefore, I want to honor God by sharing my faith that Connie is in heaven. Satan took Connies life in this world, but God gave Connie eternal life in heaven. Through faith in Jesus Christ, we will someday be in heaven together again. The Bible is the most published book in the world by far, at over nine billion copies. Yet I acknowledge that the Bible is not the easiest place for someone new to Christian theology to begin a journey with God in our modern, science-dominated, politically correct culture. Therefore, I have captured a lifetime of study and discussions about the Bible and shared it with you in this book, in the hopes it will make you aware of what God offers everyone.

International Relations Theory: A Critical Introduction is an innovative new textbook, which introduces students to the main theories in International Relations. It also deconstructs each theory allowing students not only to understand them, but also to critically engage with the assumptions and myths that underpin them. It does this by using five familiar films as tools for first understanding each theory and then for understanding the myths that make them so persuasive for some people. Key features of this textbook include: * coverage of the main theories and traditions including: Realism & Neo-realism; Idealism and Neo-idealism; Liberalism; Constructivism; Postmodernism; Gender; Globalisation and the 'End of History' * innovative use of narratives from five famous films that students will be familiar with: Lord of the Flies; Independence Day; Wag the Dog; Fatal Attraction; and The Truman Show * clearly written, providing students with boxed key concepts, guides to further reading and thinking. This breakthrough textbook has been designed to unravel the complexities of International Relations theory in a way that allows students a clearer idea of how the theories work and some of the myths that are associated with them.

In The Prestige of Violence Sally Bachner argues that, starting in the 1960s, American fiction laid claim to the status of serious literature by placing violence at the heart of its mission and then insisting that this violence could not be represented. Bachner demonstrates how many of the most influential novels of this period are united by the dramatic opposition they draw between a debased and untrustworthy conventional language, on the one hand, and a violence that appears to be prelinguistic and unquestionable, on the other. Genocide, terrorism, war, torture, slavery, rape, and murder are major themes, yet the writers insist that such events are unspeakable. Bachner takes issue with the claim made within trauma studies that history is the site of violent trauma inaccessible to ordinary representation. Instead, she argues, both trauma studies and the fiction to which it responds institutionalize an inability to address violence. Examining such works as Vladimir Nabokov's Pale Fire, Thomas Pynchon's The Crying of Lot 49, Norman Mailer's Armies of the Night, Margaret Atwood's Surfacing, and Philip Roth's The Plot Against America, Bachner locates the postwar prestige of violence in the disjunction between the privileged security of wealthier Americans and the violence perpetrated by the United States abroad. The literary investment in unspeakable and often immaterial violence emerges in Bachner's readings as a complex and ideologically varied literary solution to the political geography of violence in our time.

The traditional strategy of exclusive conventional cancer treatment has not worked. Integrative oncology that prescribes tested natural, non-pharmaceutical therapies to enhance the effectiveness and reduce the side effects of chemotherapy, radiation, and surgery is the answer. Major medical school cancer centers are researching and practicing this new state-of-the-art strategy, but it is not being accepted by main stream oncology. It must become acceptable and accessible to all cancer victims if cancer is to ever be defeated. Patients must insist on it and the general public must support it. The objective of A New Strategy for the War on Cancer is to reveal the new strategy to the public and to invoke a paradigm shift toward its adoption.