It seems safe to say that this Sumerian Grammar by Professor D.O. Edzard will become the new classic reference in the field. It is an up-to-date, reliable guide to the language of the Sumerians, the inventors of cuneiform writing in the late 4th millennium B.C., and thus essential contributors to the high cultural standard of the whole of Mesopotamia and beyond. Following traditional lines, the Grammar describes general characteristics, origins, linguistic environment, phonetics and phonology, morphology, syntax, and phraseology. Due attention is given to the symbiosis with Semitic Akkadian, with which Sumerian was to form a veritable linguistic area. With lucid explanations of all technical linguistic theory. Each transliteration carries its English translation.

This textbook provides an introduction to the grammar of Sumerian, one of the oldest documented languages in the world. It not only synthesizes the results of recent scholarship but introduces original insights on many important questions. The book is designed to appeal to readers of all backgrounds, including those with no prior background in Sumerian or cuneiform writing.It is written for undergraduate students and structured for a semester-long course: the order of the topics is determined by didactic considerations, with the focus on syntactic analysis and evidence. It explains the functioning of Sumerian grammar in 16 lessons, illustrated with more than 500 fully glossed examples. Each lesson ends with a series of tasks; a solution key to selected exercises can be found at the end of the volume. Above all, this is the first Sumerian textbook that introduces and utilizes the online assyriological resources available on the internet. An Introduction to the Grammar of Sumerian has been written on the assumption that after decades of grammatical research it has become possible now to teach a general framework of Sumerian grammar that may function as the basis of further, more intensive and elaborate studies.

This unique compendium stresses on physical concepts and the applications to practical problems. The authors' decades of experience in teaching, research and industrial consultancy are reflected in the choice of the solved examples and unsolved problems.The second edition has three additional chapters containing topics of vibration and acoustic sensors and instruments, finite element method (FEM), boundary element method (BEM) and statistical energy analysis (SEA), etc, thus enabling students to solve real-life problems in industrial and automotive noise control.The useful reference text targets senior undergraduate mechanical and environmental engineering students as well as designers of industrial machinery and layouts. The book can readily be used for self-study by practicing designers and engineers. Mathematical derivations are avoided and illustrations, tables and empirical formulae are included for ready reference.

In this exceptional cultural history, Atlantic Senior Editor Ronald Brownstein—“one of America's best political journalists (The Economist)—tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles’ creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become. Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television studios around Sunset Boulevard, living in Brentwood and Beverly Hills or amid the flickering lights of the Hollywood Hills, a cluster of transformative talents produced an explosion in popular culture which reflected the demographic, social, and cultural realities of a changing America. At a time when Richard Nixon won two presidential elections with a message of backlash against the social changes unleashed by the sixties, popular culture was ahead of politics in predicting what America would become. The early 1970s in Los Angeles was the time and the place where conservatives definitively lost the battle to control popular culture. Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Today, we are again witnessing a generational cultural divide. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.

Manual Therapy of the Extremities presents manual therapy techniques from a variety of perspectives. The presentation of multiple techniques for each joint restriction is a unique feature of this book that provides students with a comprehensive and well-rounded approach to mobilization. The consistent format in the presentation of techniques makes for an easy-to-use resource for students and practicing physical therapists. Additionally, the majority of manual therapy books on the market focus on the spine, whereas this book focuses on the upper and lower extremities.