The book presents knowledge of the Congolese traditions. Th book is the beautifully told story of the young son of a Congolese Bambole Chief growing up in the Congo of the 1930s and 40s. Born into Bambole Tradition but drawn to the incoming Baptist Mission, the young Bambole Mokili faces with courage and an open mind the extraordinary challenges of this cataclysmic period in Congo's history.

The book presents knowledge of the Congolese traditions. Th book is the beautifully told story of the young son of a Congolese Bambole Chief growing up in the Congo of the 1930s and 40s. Born into Bambole Tradition but drawn to the incoming Baptist Mission, the young Bambole Mokili faces with courage and an open mind the extraordinary challenges of this cataclysmic period in Congo's history.

The book helps readers to better understand human life in Congo. It is 1960. Almost all the black people of Congo are with great hope and joy. On June 30th they will receive Independence.

The Democratic Republic of Congo, formerly Zaire, continues to struggle with socioeconomic and political development. Culture and Customs of the Congo provides the full context of traditional culture and modern practices against a backdrop of a turbulent history. The volume opens up a land and peoples little known in the United States. Written expressly to meet the needs of students and the general audience, the work will inform about the geography, economy, political history, and history from the slave trade to dictatorship; ancestral religions and inroads of western faiths; ancestral literary heritage and communication; art, architecture, and housing; diet and dress; marriage, family, and women; lifestyles and life events, and traditional and modern music and dance. Congolese society comprises hundreds of ethnic groups, such as the Luba, the Kongo, and the Kuba. The countryside is largely based on the hunting and gathering, herding, and farming lifestyles. The city is marked by lifestyles reflecting the prevalence of small business activities and increasing cultural sycretism of customs from different parts of the Congo and Western imports. Mukenge's narrative gives the diverse perspectives of their cultures with their fascinating juxtapositions to our familiar western ways. Examples of this are found in the Religion and Worldview chapter, which discusses ancestral religions, the spirits of the land, and supernatural power practitioners. The Literature chapter covers verbal competition and game songs. Congolese cuisine is based on starches such as the cassava root, the corn, and the plantain; green vegetables, insects, fish and, to a lesser extent, meat. Other chapters cover topics from the distinct Congolese dress and symbolic adornments, all-important family lines, to ceremonial music and dance. A chronology and glossary are added value.

This magnificent large format edition is a 'best of' of photographer Angelo Turconi. Congo, Culture and Traditions compiles his most beautiful pictures and unique footage of his beloved Congo shot over a period of over half a century. This book is a precious photo archive, but at the same time a tribute to the vitality and resilience of the Congolese people. Included are rare images of rituals and traditions that now definitely belong in the past. A giant country like Congo with its huge ethnic diversity will always remain an inexhaustible source of wonder and astonishment. In five chapters, Congo-expert Turconi dwells on the country's nature, the daily life, its people, Congo's art and culture and the country's economy. Eminent ethnologist and art historian Francois Neyt wrote the introductory texts to the chapters, while Prof. Dr. Isidore Ndaywel and Nziem elucidates on the selected photographs. SELLING POINT: A giant country like Congo with its huge ethnic diversity will always remain an inexhaustible source of wonder and astonishment. Congo-expert and photographer Angelo Turconi dwells on the country's nature, the daily life, its people, Congo's art and culture and its economy 150 colour images

"Congo life and folklore" by John H. Weeks. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.