These African diaries--written when Che Guevara tried to help the people of the Congo throw off the yoke of colonial imperialism--afford a very personal insight into the thoughts and emotions of one of the 20th century's greatest revolutionary martyrs. of photos.

HEART OF DARKNESS (1899) is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness. Central to Conrad's work is the idea that there is little difference between so-called civilized people and those described as savages; Heart of Darkness raises important questions about imperialism and racism. Originally published as a three-part serial story in Blackwood's Magazine, the novella Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century.

Introduction -- The Congo diary, 1890 -- Up-river book, 1890 -- The sisters, 1895-96 -- Letter to the New York times Saturday book review, 1901 -- The books of my childhood, 1902 -- On the North Sea outrage, 1904 -- My best story and why I think so, 1906 -- The silence of the sea, 1909 -- A set of six, 1915 -- From the preface to "Youth" and "Gaspar Ruiz," 1920 -- Cablegram to the Committee for the Polish government loan, Washington, 1920 -- Foreword to Corsican and Irish landscapes, 1921 -- The first thing I remember, 1921 -- A Hugh Walpole anthology introductory note, 1922 -- Foreword to J.G. Sutherland: At sea with Joseph Conrad, 1922 -- Proust as creator, 1923 -- Foreword to A.J. Dawson: Britain's life-boats, 1923.--Draft of speech to be made at the Life-boat institution at the ninety-ninth meeting, 1923 -- Speech at the Lifeboat institution, 1923 -- Warrington Dawson: Adventure in the night, 1924 -- Preface to The nature of a crime, 1924 -- The nature of a crime, 1924 -- Biographical bibliography (p.152-158).

Featuring a foreword by Gabriel Garcia Marquez ("Che Guevara in Africa"), this book fills in the missing chapter in Che Guevara's life as head of the secret Cuban force that went to aid the liberation movement in the Congo against the Belgian colonialists in 1965. The idea was to prepare a group of Cubans for the mission to Bolivia, as well as to assist African national liberation movements. This diary remained unpublished for decades because of its controversial content, but, like his other diaries, reveals Che's great literary gift, his razor-sharp intellect, his dry wit, and his brutal honesty. Because this diary deals with what Che admits was a "failure," he examines every painful detail about what went wrong in order to draw constructive lessons for future expeditions. This publication of the complete Congo Diary has been thoroughly revised by Che's widow, Aleida March, and published in association with the Che Guevara Studies Center in Havana. Features: Forewords by Gabriel Garcia Marquez ("Che Guevara in Africa") and Che's daughter, Aleida Guevara Twenty-eight pages of unpublished photos Extensive notes and glossary explaining Swahili terms Backcover blurbs by Nelson Mandela and Gabriel Garcia Marquez

Selected by the Modern Library as one of the 100 best novels of all time • Nominated as one of America’s best-loved novels by PBS’s The Great American Read Introduction by Caryl Phillips Commentary by H. L. Mencken, E. M. Forster, Virginia Woolf, Ernest Hemingway, Bertrand Russell, Lionel Trilling, Chinua Achebe, and Philip Gourevitch Originally published in 1902, Heart of Darkness remains one of this century’s most enduring works of fiction. Written several years after Joseph Conrad’s grueling sojourn in the Belgian Congo, the novel is a complex meditation on colonialism, evil, and the thin line between civilization and barbarity. This edition contains selections from Conrad’s Congo Diary of 1890—the first notes, in effect, for the novel, which was composed at the end of that decade. Virginia Woolf wrote of Conrad: “His books are full of moments of vision. They light up a whole character in a flash. . . . He could not write badly, one feels, to save his life.”

In A Nervous State, Nancy Rose Hunt considers the afterlives of violence and harm in King Leopold’s Congo Free State. Discarding catastrophe as narrative form, she instead brings alive a history of colonial nervousness. This mood suffused medical investigations, security operations, and vernacular healing movements. With a heuristic of two colonial states—one "nervous," one biopolitical—the analysis alternates between medical research into birthrates, gonorrhea, and childlessness and the securitization of subaltern "therapeutic insurgencies." By the time of Belgian Congo’s famed postwar developmentalist schemes, a shining infertility clinic stood near a bleak penal colony, both sited where a notorious Leopoldian rubber company once enabled rape and mutilation. Hunt’s history bursts with layers of perceptibility and song, conveying everyday surfaces and daydreams of subalterns and colonials alike. Congolese endured and evaded forced labor and medical and security screening. Quick-witted, they stirred unease through healing, wonder, memory, and dance. This capacious medical history sheds light on Congolese sexual and musical economies, on practices of distraction, urbanity, and hedonism. Drawing on theoretical concepts from Georges Canguilhem, Georges Balandier, and Gaston Bachelard, Hunt provides a bold new framework for teasing out the complexities of colonial history.

Emily Hahn was one of the most prolific and enduring writers atThe New Yorker– her first by-line appeared there in 1926, her last in 1996. She was also the author of fifty-three books, and, had her 1933 travel memoir,Congo Solo, not been published in a censored version during the darkest days of the Great Depression, it might well have been hailed as a classic of the genre, alongside Dinesen'sOut of Africa. In many ways Hahn's vivid account of her eight-month sojourn in a remote medical clinic was years ahead of its time. A woman who lived life on her own terms, Hahn was an unknown and struggling writer whenCongo Solowas published. Here – restored to the form she had intended – is Hahn's unforgettable narrative, a vivid, provocative, and at times disturbing firsthand account of the racism, brutality, sexism, and exploitation that were everyday life realities under Belgium's iron-fisted colonial rule. Until now, the few copies ofCongo Soloin circulation were the adulterated version, which the author altered after pressure from her publisher and threats of litigation from the main character's family. This edition makes available a lost treasure of women's travel writing that shocks and impresses, while shedding valuable light on the gender and race politics of the period.