Never before has period drama offered viewers such an assortment of complex male characters, from transported felons and syphilitic detectives to shell shocked soldiers and gangland criminals. Neo-Victorian Gothic fictions like Penny Dreadful represent masculinity at its darkest, Poldark and Outlander have refashioned the romantic hero and anti-heritage series like Peaky Blinders portray masculinity in crisis, at moments when the patriarchy was being bombarded by forces like World War I, the rise of first wave feminism and the breakdown of Empire. Scholars of film, media, literature and history explore the very different types of maleness offered by contemporary television and show how the intersection of class, race, history and masculinity in period dramas has come to hold such broad appeal to twenty-first-century audiences.

Never before has period drama offered viewers such an assortment of complex male characters, from transported felons and syphilitic detectives to shell shocked soldiers and gangland criminals. Neo-Victorian Gothic fictions like Penny Dreadful represent masculinity at its darkest, Poldark and Outlander have refashioned the romantic hero and anti-heritage series like Peaky Blinders portray masculinity in crisis, at moments when the patriarchy was being bombarded by forces like World War I, the rise of first wave feminism and the breakdown of Empire. Scholars of film, media, literature and history explore the very different types of maleness offered by contemporary television and show how the intersection of class, race, history and masculinity in period dramas has come to hold such broad appeal to twenty-first-century audiences.

This book advances the claims of feminist international relations scholars that the social construction of masculinities is key to resolving the scourges of militarism, sexual violence and international insecurity. More than two decades of feminist research has charted the dynamic relationship between warfare and masculinity, but there has yet to be a detailed account of the role of masculinity in structuring the range of volatile civil conflicts which emerged in the Global South after the end of the Cold War. By bridging feminist scholarship on international relations with the scholarship of masculinities, Duriesmith advances both bodies of scholarship through detailed case study analysis. By challenging the concept of ‘new war’, he suggests that a new model for understanding the gendered dynamics of civil conflict is needed, and proposes that the power dynamics between groups of men based on age difference, ethnicity, location and class form an important and often overlooked causal component to these civil conflicts. Exploring the role of masculinities through two case studies, the civil war in Sierra Leone (1991–2002) and the Second Sudanese Civil War (1983–2005), this book will be of great interest to postgraduate students, practitioners and academics working in the fields of gender and security studies.

Rhetoric of Masculinity: Male Body Image, Media, and Gender Role Stress/Conflict lends depth and global nuance to discourse associated with the masculinity concept as it brings to bear on males' self-image, role in society, media representations of them, and the gender role stress/conflict experienced when they fail to measure up to social standards associated with what it means to be manly. Even though the concept of masculine gender role stress/conflict has received substantial scholarly attention in psychology, social learning effects of masculinity as it plays out in media warrant further study given that representations offer audiences restrictive male gender roles that may contribute to toxic masculinity. Men and boys are taught to be self-sufficient, to act tough, to be muscular, heterosexual, and to use aggression to resolve conflicts. Such contexts provide restrictive images that can result in self harm and an inflexible social milieu. Scholars and students of communication, rhetoric, and gender studies will find this book particularly interesting.

Conflicting Identities and Multiple Masculinities takes as its focus the construction of masculinity in Western Europe from the early Middle Ages until the fifteenth century, crossing from pre-Christian Scandinavia across western Christendom. The essays consult a broad and representative cross section of sources including the work of theological, scholastic, and monastic writers, sagas, hagiography and memoirs, material culture, chronicles, exampla and vernacular literature, sumptuary legislation, and the records of ecclesiastical courts. The studies address questions of what constituted male identity, and male sexuality. How was masculinity constructed in different social groups? How did the secular and ecclesiastical ideals of masculinity reinforce each other or diverge? These essays address the topic of medieval men and, through a variety of theoretical, methodological, and disciplinary approaches, significantly extend our understanding of how, in the Middle Ages, masculinity and identity were conflicted and multifarious.

The book explores patterns of wartime sexual violence against men, and presents survivors', but also perpetrators' stories.

What is the significance of gender and masculinities in understanding conflict? Through an ethnographic study conducted between 2013 and 2016, this book explores the politics of competing and sometimes overlapping masculinities represented by the state armed forces and the non-state actors in the Kashmir valley. In addition, the book broadens the understanding of women’s agency through its engagement with the construction, performance, and interplay of masculinities in the conflict. Combining existing elements of both feminist research and critical scholarship on men and masculinities, the book highlights the significance of foregrounding the interplay of men’s identities in conflicts to understand agency in a meaningful way. Through the focus on the simultaneous play of multiple masculinities, the book also questions the oversimplified and monolithic usage of masculinity being associated only with violence in conflicts. The empirical data in the book includes interviews and narratives of multiple stakeholders belonging to diverse vantage points in the Kashmir conflict. Some of these include activists, widows, wives of the disappeared, ex-militants, surrendered militants, participants of the stone-pelting movement, mothers of sons killed in the conflict, women representatives of the village Halqa Panchayats, and army personnel. The book also draws from alternative material in the form of graffiti, folk songs, poetry on graves, and slogans. Through anecdotal reminiscence, the author reflects on the challenges of field research in Kashmir that served as an opportunity for self-contemplation.