Sixteen-year-old Adrienne Lewis is in charge of eight-year-old Emma Warner, the youngest member of the snooty Warner family. Emma is an evil genius who has gotten all five previous nannies fired -- and she's the good news. Because then there's Emma's half brother, Graydon, who goes to college -- yet always seems to be lurking around waiting to hit on Adrienne. But worst of all is Emma's beautiful seventeen-year-old half sister, Cameron, whose reputation as a wild girl, a liar, and a user is known to everyone . . . everyone, that is, except Adrienne.

Two teen nannies become even more involved in the treacherous world of their wealthy, elite employers as Adrienne begins a surprising new relationship and Liz struggles to keep hers from falling apart.

Why I hate Cameron Warner: 1. She stole my boyfriend. 2. She is the richest teen in NYC, with more designer shoes than a department store. 3. I have to plan a party so she can be crowned Debutante of the Year. Like I care! 4. Did I mention: She stole my boyfriend!!!! Sixteen-year-old Adrienne Lewis is a nanny in the fabulous Warner penthouse high above Manhattan. Every day, Adrienne watches eight-year-old Emma after school and constantly tangles with Emma's beautiful but wicked teenage half sister, Cameron. In the meantime, Adrienne's best friend, Liz Braun, has also gotten caught in the seductive web of society, going out on jaw-dropping dates with the devilishly handsome and wealthy Parker Devlin. But is Parker playing Liz, or is this just how the rich play? And can money really buy everything for girls like Cameron—including Adrienne's own boyfriend?

From the author of HOW TO SAY GOODBYE IN ROBOT, the story of a fractured family and three sisters' secretsThe Sullivan sisters have a big problem. On Christmas Day their rich and imperious grandmother gathers the family and announces that she will soon die . . .and has cut the entire family out of her will. Since she is the source of almost all their income, this means they will soon be penniless. Someone in the family has offended her deeply. If that person comes forward with a confession of her (or his) crime, submitted in writing to her lawyer by New Year's Day, she will reinstate the family in her will. Or at least consider it.And so the confessions begin....

Manny /ma·ne/ n A male nanny or babysitter, known to be handsome, fabulous, and a lover of eighties music. "Be interesting." That's what the manny tells Keats Dalinger the first time he packs Keats's school lunch, but for Keats that's not always the easiest thing to do. Even though he's the only boy at home, it always feels like no one ever remembers him. His sisters are everywhere! Lulu is the smart one, India is the creative one, and Belly...well, Belly is the naked one. And the baby. School isn't much better. There, he's the shortest kid in the entire class. But now the manny is the Dalinger's new babysitter, and things are starting to look up. It seems as though the manny always knows the right thing to do. Not everyone likes the manny as much as Keats does, however. Lulu finds the manny embarrassing, and she's started to make a list of all the crazy things that he does, such as serenading the kids with "La Cucaracha" from the front yard or wearing underwear on his head or meeting the school bus with Belly, dressed as limo drivers. Keats is worried. What if Lulu's "Manny Files" makes his parents fire the manny? Who will teach him how to be interesting then?

Part tell-all, part cautionary tale, this emotionally charged memoir from a former video vixen nicknamed 'Superhead' goes beyond the glamour of celebrity to reveal the inner workings of the hip-hop dancer industry—from the physical and emotional abuse that's rampant in the industry, and which marked her own life—to the excessive use of drugs, sex and bling. Once the sought-after video girl, this sexy siren has helped multi-platinum artists, such as Jay-Z, R. Kelly and LL Cool J, sell millions of albums with her sensual dancing. In a word, Karrine was H-O-T. So hot that she made as much as $2500 a day in videos and was selected by well-known film director F. Gary Gray to co-star in his film, A Man Apart, starring Vin Diesel. But the film and music video sets, swanky Hollywood and New York restaurants and trysts with the celebrities featured in the pages of People and In Touch magazines only touches the surface of Karrine Steffans' life. Her journey is filled with physical abuse, rape, drug and alcohol abuse, homelessness and single motherhood—all by the age of 26. By sharing her story, Steffans hopes to shed light on an otherwise romanticised industry and help young women avoid the same pitfalls she encountered. If they're already in danger, she hopes to inspire them to find a way to dig themselves out of what she knows first-hand to be a cycle of hopelessness and despair.

First published in 1987, New York Times bestseller, I’m With The Band has been reprinted throughout the years, all over the world. This is the stylish, exuberant and sweetly innocent tale of one of the most famous groupies of the 1960s and 70s. Beginning with Pamela Des Barres’ early obsession with Elvis, her own Beatlemania madness, and her fierce determination to meet the musicians who rocked her world, I’m With The Band illuminates the glory days of scintillating encounters with musical gods including Jim Morrison, Jimi Hendrix, Mick Jagger and Keith Moon. A girl just wanting to have fun, Des Barres immersed herself in the drugs, danger and ecstasy of the freewheeling 1960s. As a member of The GTOs (Girls Together Outrageously), an all-female group masterminded by Frank Zappa, Des Barres was in the thick of the most revolutionary renaissance in the history of modern popular music. She travelled with Led Zeppelin; lived in sin with Don Johnson; turned down a date with Elvis Presley; and was close friends with Robert Plant, Gram Parsons and Ray Davies. She had affairs with Mick Jagger, Jimmy Page, Keith Moon, Waylon Jennings, Chris Hillman, Noel Redding, and Jim Morrison, among others. A woman in possession of her own destiny, Des Barres blazed a trail for women’s life-writing, standing up for female voices and experience everywhere. From original diaries, told with great warmth, chutzpah and joie de vivre, this is a frank memoir that wears its heart on its sleeve, and recalls one of rock ’n’ roll’s most thrilling eras. This edition contains new material from the author, including her response to the vitriolic shaming of groupies, and a foreword by Roisin O’Connor, rock journalist and music correspondent for the Independent.