A New York Times Editors’ Choice: “A mind-bending romp through a gender-fluid, eighteenth century London . . . a joyous mash-up of literary genres shot through with queer theory and awash in sex, crime, and revolution.” NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • HuffPost • Kirkus Reviews • Finalist for the Lambda Literary Award • Shortlisted for the Center for Fiction First Novel Prize • “A dazzling tale of queer romance and resistance.”—Time Jack Sheppard and Edgeworth Bess were the most notorious thieves, jailbreakers, and lovers of eighteenth-century London. Yet no one knows the true story; their confessions have never been found. Until now. Reeling from heartbreak, a scholar named Dr. Voth discovers a long-lost manuscript—a gender-defying exposé of Jack and Bess’s adventures. Is Confessions of the Fox an authentic autobiography or a hoax? As Dr. Voth is drawn deeper into Jack and Bess’s tale of underworld resistance and gender transformation, it becomes clear that their fates are intertwined—and only a miracle will save them all. Writing with the narrative mastery of Sarah Waters and the playful imagination of Nabokov, Jordy Rosenberg is an audacious storyteller of extraordinary talent. Praise for Confessions of the Fox “A cunning metafiction of vulpine versatility . . . an action-adventure tale with postmodern flourishes; an academic comedy spliced with period erotica; an intimate meditation on belonging.”—Katy Waldman, The New Yorker “Confessions of the Fox is so goddamned good. Reading it was like an out-of-body experience. I want to run through the streets screaming about it. It should be in the personal canon of every queer and non-cis person. Read it.”—Carmen Maria Machado, National Book Award finalist for Her Body and Other Parties “A hat tip to Moby-Dick . . . a running footnote hall of mirrors to rival Borges . . . one of the most trenchant calls for progressive action that I have read in a very long time.”—The New York Times Book Review “An ambitious work of metafiction, a sexy queer love story . . . a bold first novel.”—Entertainment Weekly

“Lynsey G. is an intrepid explorer, boldly going where few reporters have gone with such a critical eye: deep inside the real world of commercial sex.” —Tina Horn, host of the Why Are People Into That?! podcast Lynsey G. never imagined that she would ever work in porn, but at twenty-four years old, with a degree in English literature and an empty bank account, she found herself reviewing the film East Coast ASSault for an adult magazine in New York City. One interview later and it was official: she was a porn journalist. The job was supposed to be temporary—just a paycheck until she could spark her legitimate writing career—but she loved it and spent nearly a decade describing the nuances of money shots and the effectiveness of sex toys. As both a porn consumer and a porn critic, she was not quite an insider, not quite an outsider, but came to know the industry intimately. She found it so fascinating that she co-founded WHACK! Magazine. Finally, she had a platform to voice her thoughts and observations of the adult film world, as well as educate the rest of us about what really goes on behind the scenes. Eventually, Lynsey was thrust back into the “real” world, but not before realizing that one of the most diverse and nebulous—and profitable—industries on the planet isn’t so quite as different from the rest of the world as she thought. Tantalizing, eye-opening, and witty, Watching Porn is a provocative book about an average girl’s foray into the porn industry and the people who make it what it is, both in front of and behind the camera. “Marvelous.” —The New York Times Book Review

Suppressed is the book the media would prefer you not read. The book may change the way you read a newspaper, listen to the radio, watch TV, or consume digital media. Please look at the Follow the Author Page for videos by Robert M. Smith. Incisive behind-the-scenes details about the Times and other media outlets. — Publishers Weekly A forthright indictment of the media’s shortcomings. — Kirkus Reviews Half of all Americans do not trust the media, and many Americans believe the media are to blame for the country’s division. The U.S. ranks dead last of all countries in media trust. But no one in the media is talking about this. This well-reviewed book tells you why and shows you the inside of the media machine. It includes a look behind the scenes at some of the biggest stories in the history of journalism. The author — a former New York Times White House and investigative correspondent — was there and is ruthlessly honest about what he saw. In fact, the author unearthed Watergate before Woodward and Bernstein, but saw the story ignored by the New York Times Washington Bureau when he gave it to them. Margaret Sullivan, media critic for the Washington Post, called the book a “very engaging read.” Smith is an attorney and barrister who has written a law book for lawyers. This is a different kind of book, but it is written with the same careful attention to the evidence. Coming to the present, Suppressed shows how some media, including the New York Times, stepped into the ring and began slugging it out with President Trump, instead of staying outside the ring and neutrally reporting what it saw. The book argues that the media would have been more effective if it had remained neutral — and credible. On the other hand, Times stock dropped 17 percent in the first two quarters of 2021, after President Trump left. During the same time the S&P 500 index rose 18 percent. The book offers entertaining tidbits — some hard to believe — but also shows you how to be a knowledgeable consumer of something that you spend time on every day and depend on. Written with candor and humor, Suppressed traces a young investigative reporter’s arc from naïveté to cynicism, from covering the White House to leaving journalism for Yale Law School and ultimately becoming a barrister in London and teaching at Oxford.

Just like Harold & Kumar Go to White Castle, this book is a great ride: sexy, hilarious, raunchy, and unexpectedly touching. --Danny Leiner, Director of Dude, Where's My Car? And Harold & Kumar Go to White Castle ROSS DALE is a Wesleyan graduate serenely sailing through post-college life when he gets the offer he can't refuse. For double his pay, Playboy TV wants him to produce their show Sexcetera, an explicit experience in journalism billed as true stories from the sexual frontier. A prep student from a sheltered home, Dale finds himself everywhere he never imagined he'd go: shooting gang bangs with the West Coast Gang Bangers, attending the annual Nudes-A-Popping Festival at an Indiana nudist resort, brothels in Amsterdam, swinger parties and more. Behind Dale's initial shock, a fascination grows for the characters in front of the camera: some funny, some gross, all facing the pressure of trying to balance humdrum, day-to-day existence with outrageous sex lives. Plus one of his leading ladies, a gorgeous and naked soft-core movie queen, just might have a thing for him. Dale's odd job becomes a life-changing adventure, and he's enjoying the ride. By turns hilarious, wry, and deliciously erotic, Dale evokes the bizarre world of pornography and the people who inhabit it, and gives readers a story about finding love in the least likely of places.

"A fascinating look behind the media mirror that reflects celebrity and power ... incredible." --Bob Dotson, New York Times bestselling author, former national correspondent, the Today show Award-winning investigative reporter Matthew Schwartz was ordered to lie on TV in the name of sensationalism. He was arrested for trespassing on the property of a business he exposed for committing fraud. A target of one of his investigations swung a baseball bat at his head. He's been shoved, sued, and cursed out. He caught a car dealership rolling back odometers and selling used cars as new. In Confessions of an Investigative Reporter, this veteran journalist reveals his inner thoughts and the inside stories viewers never saw. Confessions of an Investigative Reporter is funny, fast-moving, and dishy. It provides a rare look inside the world of local news from someone who spent four decades in it. It's not only for news viewers. It's for anyone who cares about justice and their community. And about that time he was ordered to lie? His answers lie within.

"From his humble beginnings on The Mike Walsh Show as the 'snake boy of St Ives', Craig Bennett really has seen, done and reported on it all. In this delightfully honest book he takes us through his early days of fawning over the classic stars of Australian TV; from working as a cadet reporter at News Limited to his bubbly and breathless entertainment reporting on Studio 10. Bennett shows us life behind the scenes through the eyes of a gossip reporter, sparing no details! His heartwarming and witty commentary his adventures and the people he meets along the way will have you shrieking with laughter and clutching your pearls in disbelief. Bars and bed-hopping; beauties and beasts. People that have shaped Australian television and international celebrities. This book delves beyond what the public sees and opens up the lives of those who have shaped our TV, radio and movie experience. It shares the explosive truth behind the scandals we love to love, and dishes the dirt on those we love to hate! This is a candid, uplifting and at sometimes outrageous memoir from a man who has seen how the rich, powerful and influential live - and survived to talk about it! Behind-the-scenes insight in to the Australian media scene. Intergenerational appeal - Covers 4 decades of Australian TV and radio. A unique perspective from a media veteran. Part biography, part confession, it touches not only on this recognisable face's life but also of the myriad celebrities around him." --Publisher's website.

America's #1 maverick C.E.O.--and self-proclaimed S.O.B.--tells the story of his rise from AP reporter to becoming head of Gannett newspapers and creating USA Today, the nation's second largest daily. "Brazen . . . with nuggets of business wisdom . . . a primer for a corporate Machiavelli-in-the-making".--Newsweek.