CONFESSIONS OF A LATE-NIGHT TALK-SHOW HOST is written by the host of THE LARRY SANDERS SHOW. It is a double whammy of satire, irreverently told in Garry Shandling's inimitable style which deftly weaves together fact and fiction. This is an exclusive up-close-and-personal inspection of what makes Larry Sanders tick: his loves, his addictions, his friends and his enemies. This will be the Hollywood tell-all to end all Hollywood tell-alls; indeed, Larry Sanders might never be able to eat lunch in that town again!

Forgive him, Father, for Stephen Colbert has sinned. He knew it was wrong at the time. But he went ahead and did it anyway. Now he’s begging for forgiveness. Based on his popular segment from The Late Show, Stephen Colbert and his team of writers now reveal his most shameful secrets to millions (although, actually, he’d like you not to tell anyone). Midnight Confessions is an illustrated collection of Stephen Colbert at his most brilliant and irreverent.

From Judd Apatow comes an intimate portrait of his mentor, the legendary stand-up comic and star of The Larry Sanders Show, with never-before-seen journal entries and photos, as well as new contributions by fellow comedians and writers. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NEW YORK Garry Shandling was a singular trailblazer in the comedy world. His two hit shows, It’s Garry Shandling’s Show and The Larry Sanders Show, broke new ground and influenced future sitcoms like 30 Rock and Curb Your Enthusiasm, and his stand-up laid the foundation for a whole new generation of comics. There’s no one better to tell Shandling’s story than Judd Apatow—Shandling gave Apatow one of his first jobs and remained his mentor for the rest of his life—and the book expands on Apatow’s Emmy Award-winning HBO documentary, The Zen Diaries of Garry Shandling. Here, Apatow has gathered journal entries, photographs, and essays for a close-up look at the artist who turned his gaze back onto the world of show business. Beyond his success, though, Shandling struggled with fame, the industry of art, and the childhood loss of his brother, which forever affected his personal and professional lives. His diaries show Shandling to be self-aware and insightful, revealing a deep philosophical and spiritual side. Contributions by comedians and other leading lights of the industry, as well as people who grew up with Shandling, along with never-before-seen pieces of scripts and brilliant jokes that he never performed, shed new light on every facet of his life and work. This book is the final word on the lasting impact of the great Garry Shandling.

Their ever-evolving popularity notwithstanding, audiobooks remain a rather undertheorized phenomenon. The prevailing handful of existing studies seem to have adopted an inherently historicist approach, which fails to identify and scrutinize their aesthetic importance. Thus, rather than regarding them as mere recorded ‘versions’ of existing literary works, this book explores them as the unique products of a hitherto undefined artistic genre. As performance-based aural artefacts, the very act of listening to them is rendered an aesthetic experience in its own right. By effectively embracing an interdisciplinary approach and introducing a set of aesthetic questions and philosophical conundrums (ignited by a paradigmatic application of the New Institutional Theory of Art), this study establishes a new aesthetic category—which, in turn, not only classifies audiobooks as artworks to all intents and purposes, but also generates the criteria and parameters for evaluating their merit. Since the proof of the proverbial pudding is purportedly in the eating, in surveying a series of concrete case studies—each highlighting different degrees of complexities—this study mainly examines first-person narratives as the most natural medium for the aesthetics of the audiobook. As such, the investigation herein provides one with comparative close listenings, appropriately analyzing and debating their aesthetic properties. Finally, in exploring what this study identifies as one’s informed intuition and its role in the craft of casting audiobooks, this study also proposes a new understating of how aesthetic appreciation works in action.

This book is the first critical assessment of Humphries' entire oeuvre, especially his career as an author. Arguing that Humphries is one of Australia's greatest writers, the author reveals a multi-faceted artist whose success is rooted in the British music hall tradition, Dadaism and grotesquerie. Being Australian has also fundamentally shaped the performer and writer, and the author's defence of Humphries against charges of expatriatism is pertinent to the debate on Australian national identity.

A CHOICE Outstanding Academic Book Flip through the channels at any hour of the day or night, and a television talk show is almost certainly on. Whether it offers late-night entertainment with David Letterman, share-your-pain empathy with Oprah Winfrey, trash talk with Jerry Springer, or intellectual give-and-take with Bill Moyers, the talk show is one of television's most popular and enduring formats, with a history as old as the medium itself. Bernard Timberg here offers a comprehensive history of the first fifty years of television talk, replete with memorable moments from a wide range of classic talk shows, as well as many of today's most popular programs. Dividing the history into five eras, he shows how the evolution of the television talk show is connected to both broad patterns in American culture and the economic, regulatory, technological, and social history of the broadcasting industry. Robert Erler's "A Guide to Television Talk" complements the text with an extensive "who's who" listing of important people and programs in the history of television talk.

"A fascinating look behind the media mirror that reflects celebrity and power ... incredible." --Bob Dotson, New York Times bestselling author, former national correspondent, the Today show Award-winning investigative reporter Matthew Schwartz was ordered to lie on TV in the name of sensationalism. He was arrested for trespassing on the property of a business he exposed for committing fraud. A target of one of his investigations swung a baseball bat at his head. He's been shoved, sued, and cursed out. He caught a car dealership rolling back odometers and selling used cars as new. In Confessions of an Investigative Reporter, this veteran journalist reveals his inner thoughts and the inside stories viewers never saw. Confessions of an Investigative Reporter is funny, fast-moving, and dishy. It provides a rare look inside the world of local news from someone who spent four decades in it. It's not only for news viewers. It's for anyone who cares about justice and their community. And about that time he was ordered to lie? His answers lie within.