The 2010 federal election campaign had more twists, conspiracies and betrayals than a ripping political thriller. Confessions of a Faceless Man is the day-by-day account of the campaign by one of Labor's 'faceless men'. Paul Howes, head of the Australian Workers' Union, was accused of assassinating Kevin Rudd and installing Gillard in the top job - the King is dead; long live the Queen. Howes writes openly about his role in the leadership coup and reveals his experience inside Labor's campaign. In an unashamedly partisan and amusing account, Confessions of a Faceless Man chronicles the highs and lows, the stuff-ups, the leaks and the nuts and bolts of a modern Labor election campaign. This is Howes' first book - an unvarnished, brutally honest, at times laugh-out-loud account of how Labor won 2010.

Ariel Dorfman: An Aesthetics of Hope is a critical introduction to the life and work of the internationally renowned writer, activist, and intellectual Ariel Dorfman. It is the first book about the author in English and the first in any language to address the full range of his writing to date. Consistently challenging assumptions and refusing preconceived categories, Dorfman has published in every major literary genre (novel, short story, poetry, drama); adopted literary forms including the picaresque, epic, noir, and theater of the absurd; and produced a vast amount of cultural criticism. His works are read as part of the Latin American literary canon, as examples of human rights literature, as meditations on exile and displacement, and within the tradition of bilingual, cross-cultural, and ethnic writing. Yet, as Sophia A. McClennen shows, when Dorfman’s extensive writings are considered as an integrated whole, a cohesive aesthetic emerges, an “aesthetics of hope” that foregrounds the arts as vital to our understanding of the world and our struggles to change it. To illuminate Dorfman’s thematic concerns, McClennen chronicles the writer’s life, including his experiences working with Salvador Allende and his exile from Chile during the dictatorship of Augusto Pinochet, and she provides a careful account of his literary and cultural influences. Tracing his literary career chronologically, McClennen interprets Dorfman’s less-known texts alongside his most well-known works, which include How to Read Donald Duck, the pioneering critique of Western ideology and media culture co-authored with Armand Mattelart, and the award-winning play Death and the Maiden. In addition, McClennen provides two valuable appendices: a chronology documenting important dates and events in Dorfman’s life, and a full bibliography of his work in English and in Spanish.

Here are the political diaries of one of Australia's most promising national leaders—published within twelve months of his resignation from office—an historic first. The Latham Diaries are searingly honest bulletins from the front line of Labor politics. They provide a unique view into the life of a man, the Party and the nation at a crucial time in Australian history. Mark Latham resigned from parliament in January 2005, after only fourteen months as Leader of the Opposition, amid bitter post-election recrimination and his own ill health. From the beginning of his career he was viewed by many observers as the ALP's resident intellectual and larrikin, the great hope of a new generation with the drive and talent to become prime minister. So why did his career end so abruptly? As The Latham Diaries reveal, the rising tide of public cynicism about politics, the cult of celebrity, the dangerous liaison between politics and the media, and the sickness at the heart of the Labor machine all played their part. As did Latham's own errors, as he candidly records in these diaries. This is a riveting chronicle of life inside politics: the backroom deals, the frontroom conniving, the bitter defeat of idealism and the triumph of opportunism. The Latham Diaries is not just the story of the Labor Party in the last years of the twentieth century and the early twenty-first century, but a sobering account of the state of Australian democracy 100 years after Federation.

WAS IT LOVE AT FIRST SIGHT… Anna Sebastian wanted desperately to learn about the stranger whose transplanted heart beat within her chest…particularly once the erotic dreams and deathly silent late-night calls began. But when her journey brought her face-to-face with her darkly handsome fantasy lover, she debated whether to divulge the truth. For brooding widower Ben Porter was rumored to have murdered the wife whose tragic end had given Anna a precious second chance…. OR SOMETHING EVEN MORE DANGEROUS? A former cop, Ben knew that Anna harbored secrets, just as he knew they would become lovers. But Anna’s sudden appearance aroused more than his guarded heart and urge to protect. It awakened a dormant killer who’d chosen now to strike again….