For the first time available in English, a selection of some of Inger Christensen's most insightful essays and poetic prose pieces

For the first time available in English, a selection of some of Inger Christensen’s most insightful essays and poetic prose pieces The Condition of Secrecy is a poignant collection of essays by Inger Christensen, widely regarded as one of the most influential Scandinavian writers of the twentieth century. As The New York Times proclaimed, “Despite the rigorous structure that undergirds her work—or more likely, because of it—Ms. Christensen’s style is lyrical, even playful.” The same could be said of Christensen’s essays. Here, she formulates with increasing clarity the basis of her approach to writing, and provides insights into how she composed specific poetry volumes. Some essays are autobiographical (with memories of Christensen’s school years during the Nazi occupation of Denmark), and others are political, touching on the Cold War and Chernobyl. The Condition of Secrecy also covers the Ars Poetica of Lu Chi (261-303 CE); William Blake and Isaac Newton; and such topics as randomness as a universal force and the role of the writer as an agent of social change. The Condition of Secrecy confirms that Inger Christensen is “a true singer of the syllables” (C. D. Wright), and “a formalist who makes her own rules, then turns the game around with another rule” (Eliot Weinberger).

Traces the development of secrecy as a government policy over the twentieth century and its adverse effects on Cold War policy making

An ambitious young woman who dreams of leaving her small town to follow her dreams learns the heartbreak of reckless love. As a young woman trapped in the confines of her small Newfoundland fishing village, sixteen-year-old Julie dreams of someday making her way out into the world and becoming a journalist. The daughter she gave up at birth must learn the same lesson, but will she follow in her mother's footsteps and give up her dreams? What happens when a daughter, given up at birth, makes the same tragic mistake as the mother she never knew? In 1950 Julie was deceived in love and had to give up not only the child of that union, but her dreams of escaping her small fishing village to become a journalist. Twenty years later, Marina, too, is deceived in love and has to forfeit her child, but dreams are not to be thwarted the second time around. The only refuge for young teen girls at that time was an old plantation pavilion called The Fold located in Nova Scotia. Hidden away on acres of lush green grass and surrounded by the wonder of the sea, The Fold holds the mystery and secrets of those who suffered emotions of forfeiting their infant and the suffering that remains within their veil of secrecy.

This book revises assumptions about satire as a public, masculine discourse derived from classical precedents, in order to develop theoretical and critical paradigms that accommodate women, popular culture, and postmodern theories of language as a potentially aggressive, injurious act. Although Habermas places satirists like Swift and Pope in the public sphere, this book investigates their participation in clandestine strategies of attack in a world understood to be harboring dangerous secrets. Authors of anonymous pamphlets as well as major figures including Behn, Dryden, Manley, Swift, and Pope, share at times what Swift called the writer's "life by stealth."

Beware! Dangerous secrets lie between the pages of this book. OK, I warned you. But if you think I'll give anything away, or tell you that this is the sequel to my first literary endeavor, The Name of This Book is Secret, you're wrong. I'm not going to remind you of how we last left our heroes, Cass and Max-Ernest, as they awaited intiation into the mysterious Terces Society, or the ongoing fight against the evil Dr. L and Ms. Mauvais. I certainly won't be telling you about how the kids stumble upon the Museum of Magic, where they finally meet the amazing Pietro! Oh, blast! I've done it again. Well, at least I didn't tell you about the missing Sound Prism, the nefarious Lord Pharaoh, or the mysterious creature born in a bottle over 500 years ago, the key to the biggest secret of all. I really can't help myself, now can I? Let's face it - if you're reading this, it's too late.

A startling and gorgeous work by Denmark's most admired poet finally available in English translation.