Condemned to Die is a book about life under sentence of death in American prisons. The great majority of condemned prisoners are confined on death rows before they are executed. Death rows typically feature solitary confinement, a harsh regimen that is closely examined in this book. Death rows that feature solitary confinement are most common in states that execute prisoners with regularity, which is to say, where there is a realistic threat that condemned prisoners will be put to death. Less restrictive confinement conditions for condemned prisoners can be found in states where executions are rare. Confinement conditions matter, especially to prisoners, but a central contention of this book is that no regimen of confinement under sentence of death offers its inmates a round of activity that might in any way prepare them for the ordeal they must face in the execution chamber, when they are put to death. In a basic and profound sense, all condemned prisoners are warehoused for death in the shadow of the executioner. Human warehousing, seen most clearly on solitary confinement death rows, violates every tenet of just punishment; no legal or philosophical justification for capital punishment demands or even permits warehousing of prisoners under sentence of death. The punishment is death. There is neither a mandate nor a justification for harsh and dehumanizing confinement before the prisoner is put to death. Yet warehousing for death, of an empty and sometimes brutal nature, is the universal fate of condemned prisoners. The enormous suffering and justice caused by this human warehousing, rendered in the words of the prisoners themselves, is the subject of this book.

The Last Day of a Condemned Man (1829) is a short novel by Victor Hugo. Having witnessed several executions by guillotine as a young man, Hugo devoted himself in his art and political life to opposing the death penalty in France. Praised by Dostoevsky as “absolutely the most real and truthful of everything that Hugo wrote,” The Last Day of a Condemned Man is a powerful story from an author who defined nineteenth century French literature. If you knew when and where you would die, how would you spend your final moments? For Hugo’s unnamed narrator, such an existential question is made reality. Sentenced to death for an unspecified crime, he reflects on his life as its last seconds wane in the shadows of a cramped prison cell. Recording his emotional state, observations, and conversations with a priest and fellow prisoner, the condemned man forces us to not only recognize his humanity, but question our own. With a beautifully designed cover and professionally typeset manuscript, this edition of Victor Hugo’s The Last Day of a Condemned Man is a classic work of French literature reimagined for modern readers.

Condemned to Die is Brennas valiant journey to recover from her sudden, medically unexplained anoxic brain injury. After sixteen months, she joined hands with Jesus and was restored to health in his kingdom. She passed along the baton to her mother, to give voice to the deficiencies in our health care system for all patients who suffer anoxic brain injuries. In her honor, this is her story. To God be the glory.

NEW YORK TIMES EDITORS’ CHOICE • A deeply reported, searingly honest portrait of the death penalty in Texas—and what it tells us about crime and punishment in America “If you’re one of those people who despair that nothing changes, and dream that something can, this is a story of how it does.”—Anand Giridharadas, The New York Times Book Review WINNER OF THE J. ANTHONY LUKAS AWARD In 1972, the United States Supreme Court made a surprising ruling: the country’s death penalty system violated the Constitution. The backlash was swift, especially in Texas, where executions were considered part of the cultural fabric, and a dark history of lynching was masked by gauzy visions of a tough-on-crime frontier. When executions resumed, Texas quickly became the nationwide leader in carrying out the punishment. Then, amid a larger wave of criminal justice reform, came the death penalty’s decline, a trend so durable that even in Texas the punishment appears again close to extinction. In Let the Lord Sort Them, Maurice Chammah charts the rise and fall of capital punishment through the eyes of those it touched. We meet Elsa Alcala, the orphaned daughter of a Mexican American family who found her calling as a prosecutor in the nation’s death penalty capital, before becoming a judge on the state’s highest court. We meet Danalynn Recer, a lawyer who became obsessively devoted to unearthing the life stories of men who committed terrible crimes, and fought for mercy in courtrooms across the state. We meet death row prisoners—many of them once-famous figures like Henry Lee Lucas, Gary Graham, and Karla Faye Tucker—along with their families and the families of their victims. And we meet the executioners, who struggle openly with what society has asked them to do. In tracing these interconnected lives against the rise of mass incarceration in Texas and the country as a whole, Chammah explores what the persistence of the death penalty tells us about forgiveness and retribution, fairness and justice, history and myth. Written with intimacy and grace, Let the Lord Sort Them is the definitive portrait of a particularly American institution.

PROSE Award Finalist for Psychology This book synthesizes scholarly reflections with personal accounts from prison administrators and inmates to show the harsh reality of life on death row.

"Condemned to Die is Brenna's valiant journey to recover from her sudden, medically unexplained anoxic brain injury. After sixteen months, she joined hands with Jesus and was restored to health in his kingdom. She passed along the baton to her mother, to give voice to the deficiencies in our health care system for all patients who suffer anoxic brain injuries. In her honor, this is her story. To God be the glory."--Back cover.

#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.