Part man, part…rock? Over seven feet tall and weighing over a thousand pounds, he is known as Concrete but is in reality the mind of one Ronald Lithgow, trapped inside a shell of stone, a body that allows him to walk unaided on the ocean's floor or survive the crush of a thousand tons of rubble in a collapsed mineshaft…but prevents him from feeling the touch of a human hand. These stories of Concrete are as rich and satisfying as any in comics: funny, heartbreaking, and singularly human. Depths, the first in a series of collections reprinting the classic early Concrete stories along with never-before-collected short stories, includes the Eisner-nominated "Orange Glow" and "Vagabond," Paul Chadwick's autobiographical account of a cross-country hitchhiking trip. • "Probably the best comic being published today by anyone, anywhere."—Harlan Ellison • Paul Chadwick's Concrete has won five Eisner Awards and three Harvey Awards. • One of GQ's "20 Graphic Novels You Should Read."

Exploring image and imagination in conjunction with natural environments, the animal, and the human, this collection of essays turns the ecocritical and ecocompositional gaze upon comic studies. The comic form has a long tradition of representing environmental rhetoric. Through discussions of comics including A.D.: New Orleans After the Deluge, We3, Concrete, and Black Orchid, these essays bring the rich work of ecological criticism into dialogue with the multi-faceted landscape of comics, graphic novels, web-comics, cartoons, and animation. The contributors ask not only how nature and environment are portrayed in these texts but also how these textual forms inform how we come to know nature and environment--or what we understand those terms to represent. Interdisciplinary in approach, this collection welcomes diverse approaches that integrate not only ecocriticism and comics studies, but animal studies, posthumanism, ecofeminism, queer ecology, semiotics, visual rhetoric and communication, ecoseeing, image-text studies, space and spatial theories, writing studies, media ecology, ecomedia, and other methodological approaches.

Part man, part...rock? Over seven feet tall and weighing over a thousand pounds, he is known as Concrete but is in reality the mind of one Ronald Lithgow, trapped inside a shell of stone, a body that allows him to walk unaided on the ocean's floor or survive the crush of a thousand tons of rubble in a collapsed mineshaft...but prevents him from feeling the touch of a human hand. These stories of Concrete are as rich and satisfying as any in comics: funny, heartbreaking, and singularly human.

First published in 1991. This volume contains the proceedings of the first European Conference on Structural Dynamics (Eurodyne 90) held at the Ruhr University, Bochum, FRG in June 1990. Volume one (169-9) covers impact, dynamic stability, soil dynamics, system identification, earthquake engineering, earthquake engineering R/C structures, and earthquake engineering for steel structures.

Part man, part...rock? Over seven feet tall and weighing over a thousand pounds, he is known as Concrete but is in reality the mind of one Ronald Lithgow, trapped inside a shell of stone, a body that allows him to walk unaided on the ocean's floor or survive the crush of a thousand tons of rubble in a collapsed mineshaft...but prevents him from feeling the touch of a human hand. These stories of Concrete are as rich and satisfying as any in comics: funny, heartbreaking, and singularly human. Depths, the first in a series of collections reprinting the classic early Concrete stories along with never-before-collected short stories, includes the Eisner-nominated "Orange Glow" and "Vagabond," Paul Chadwick's autobiographical account of a cross-country hitchhiking trip. • "Probably the best comic being published today by anyone, anywhere."—Harlan Ellison • Paul Chadwick's Concrete has won five Eisner Awards and three Harvey Awards. • One of GQ's "20 Graphic Novels You Should Read."