Writing to a friend, Horace describes the man as fascinated by "the discordant harmony of the cosmos, its purpose and power." Andrew Scholtz takes this notion of "discordant harmony" and argues for it as an aesthetic principle where classical Athenian literature addresses politics in the idiom of sexual desire. His approach is an untried one for this kind of topic. Drawing on theorists of the sociality of language, Scholtz shows how eros, consuming, destabilizing desire, became a vehicle for exploring and exploiting dissonance within the songs Athenians sang about themselves. Thus he shows how societal tension and instability could register as an ideologically charged polyphony in works like the Periclean Funeral Oration, Aristophanes' Knights, and Xenophon's Symposium.

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A New Handbook of Literary Terms offers a lively, informative guide to words and concepts that every student of literature needs to know. Mikics’s definitions are essayistic, witty, learned, and always a pleasure to read. They sketch the derivation and history of each term, including especially lucid explanations of verse forms and providing a firm sense of literary periods and movements from classicism to postmodernism. The Handbook also supplies a helpful map to the intricate and at times confusing terrain of literary theory at the beginning of the twenty-first century: the author has designated a series of terms, from New Criticism to queer theory, that serves as a concise but thorough introduction to recent developments in literary study. Mikics’s Handbook is ideal for classroom use at all levels, from freshman to graduate. Instructors can assign individual entries, many of which are well-shaped essays in their own right. Useful bibliographical suggestions are given at the end of most entries. The Handbook’s enjoyable style and thoughtful perspective will encourage students to browse and learn more. Every reader of literature will want to own this compact, delightfully written guide.

A craze for intricate metaphors, referred to as conceits, permeated all forms of communication in seventeenth-century Italy and Spain, reshaping reality in highly creative ways. The Age of Subtlety: Nature and Rhetorical Conceits in Early Modern Europe situates itself at the crossroads of rhetoric, poetics, and the history of science, analyzing technical writings on conceits by such scholars as Baltasar Gracián, Matteo Peregrini, and Emanuele Tesauro against the background of debates on telescopic and microscopic vision, the generation of living beings, and the boundaries between the natural and the artificial. It contends that in order to understand conceits, we must locate them within the early modern culture of ingenuity that was also responsible for the engineer’s machines, the juggler’s sleight of hand, the wiles of the statesman, and the discovery of truths about nature.

Dialogical reason requires dialogue among the members of a community. Thinkers like Habermas and Apel have proposed that judgments of both fact and value become objects of public debate. The debate should determine whether these judgments can earn the assent of the community. If so, they attain a degree of intersubjective validity. Javier Muguerza's Ethics and Perplexity makes a highly original contribution to the debate over dialogical reason. The work opens with a letter that establishes a parallel between Ethics and Perplexity and Maimonides's classic Guide of the Perplexed. It concludes with an interview that repeatedly strikes sparks on Spanish philosophy's emergence from its "long quarantine," as Muguerza puts it. These informal pieces--witty, informative, conversational--orbit the nucleus of the work: a formidable critique of dialogical reason. The result is a volume by turns vivid and profound. Muguerza insists that the experience of perplexity is inseparable from the exercise of philosophy. Perplexity is linked to aporia and wonder, which the ancients identified as the origin of their activity. The only solidarity among philosophers is that of searching, and philosophy is hardly more than a set of questions unceasingly posed and posed again, of forever open problems, of perplexities that assail us over and over again. Perplexity avoids both the certainty of dogmatism and the ignorance of skepticism. In fact, it is the only philosophical ailment capable of immunizing us against both. Philosophy is always a guide to the perplexed. The series Philosophy in Spain, founded to bring Spanish philosophy to the attention of English-speaking philosophers, seeks outstanding works by classic and contemporary Spanish thinkers as well as books on Spanish philosophy.

Cynthia Damon is Professor of Classical Studies at the University of Pennsylvania. --