Concerto No. 25 in C major for piano and orchestra
Title | Concerto No. 25 in C major for piano and orchestra PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | |
Pages | |
Release | 1974 |
Genre | |
ISBN |
Concerto no. 25 in C major, K. 503, for piano and orchestra
Title | Concerto no. 25 in C major, K. 503, for piano and orchestra PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | |
Pages | 72 |
Release | 1951 |
Genre | Concertos (Piano) |
ISBN |
Concerto No. 25 in C Major-K503 for Piano and Orchestra
Title | Concerto No. 25 in C Major-K503 for Piano and Orchestra PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | |
Pages | 62 |
Release | 1951 |
Genre | Piano music |
ISBN |
Piano Concerto #25, in C Major, K.503. Rondo for Piano & Orchestra, in D Major, K.382
Title | Piano Concerto #25, in C Major, K.503. Rondo for Piano & Orchestra, in D Major, K.382 PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | |
Pages | 2 |
Release | 1962 |
Genre | Concertos (Piano) |
ISBN |
Piano Concerto No.25 in C Major, K.503
Title | Piano Concerto No.25 in C Major, K.503 PDF eBook |
Author | |
Publisher | |
Pages | 0 |
Release | |
Genre | |
ISBN |
Concerto for Piano No. 25 in C, K.503, Mozart (m.sc) Edited by F. Blume
Title | Concerto for Piano No. 25 in C, K.503, Mozart (m.sc) Edited by F. Blume PDF eBook |
Author | Wolfgang Amadeus Mozart |
Publisher | |
Pages | |
Release | |
Genre | |
ISBN |
Mozart's Piano Music
Title | Mozart's Piano Music PDF eBook |
Author | William Kinderman |
Publisher | Oxford University Press |
Pages | 652 |
Release | 2006-11-30 |
Genre | Music |
ISBN | 0199880166 |
Mozart's emergence as a mature artist coincides with the rise to prominence of the piano, an instrument that came alive under his fingers and served as medium for many of his finest compositions. In Mozart's Piano Music, William Kinderman reconsiders common assumptions about Mozart's life and art while offering comprehensive and incisive commentary on the solo music and concertos. After placing Mozart's pianistic legacy in its larger biographical and cultural context, Kinderman addresses the lively gestural and structural aspects of Mozart's musical language and explores the nature of his creative process. Incorporating the most recent research throughout this encompassing study, Kinderman expertly surveys each of the major genres of the keyboard music, including the four-hand and two-piano works. Beyond examining issues such as Mozart's earliest childhood compositions, his musical rhetoric and expression, the social context of his Viennese concertos, and affinities between his piano works and operas, Kinderman's main emphasis falls on detailed discussion of selected individual compositions.