Concerto no. 1, op. 14, in F# minor
Title | Concerto no. 1, op. 14, in F# minor PDF eBook |
Author | Henri Wieniawski |
Publisher | |
Pages | 54 |
Release | 1921 |
Genre | Concertos (Violin) |
ISBN |
Concerto No. 1 In F Sharp Minor, Op. 14 : For Violin and Piano
Title | Concerto No. 1 In F Sharp Minor, Op. 14 : For Violin and Piano PDF eBook |
Author | Henri Wieniawski |
Publisher | |
Pages | 0 |
Release | |
Genre | |
ISBN |
Concerto no. 1 in F# minor, opus 14, for violin and piano
Title | Concerto no. 1 in F# minor, opus 14, for violin and piano PDF eBook |
Author | Henri Wieniawski |
Publisher | |
Pages | 56 |
Release | 1980 |
Genre | Concertos (Violin) |
ISBN |
Violin Concerto No. 1 in F Sharp Minor Op. 14 (Edition for Violin and Piano)
Title | Violin Concerto No. 1 in F Sharp Minor Op. 14 (Edition for Violin and Piano) PDF eBook |
Author | |
Publisher | Edition Peters |
Pages | 52 |
Release | 2022-05 |
Genre | Music |
ISBN |
VIOLIN CONCERTO NO. 1 IN F SHARP MINOR OP. 14
Title | VIOLIN CONCERTO NO. 1 IN F SHARP MINOR OP. 14 PDF eBook |
Author | |
Publisher | |
Pages | |
Release | 2022 |
Genre | |
ISBN | 9789790014107 |
Concerto No. 1
Title | Concerto No. 1 PDF eBook |
Author | Henri Wieniawski |
Publisher | |
Pages | 0 |
Release | 1980 |
Genre | |
ISBN |
The Finale in Western Instrumental Music
Title | The Finale in Western Instrumental Music PDF eBook |
Author | Michael Talbot |
Publisher | Oxford Monographs on Music |
Pages | 272 |
Release | 2001 |
Genre | Language Arts & Disciplines |
ISBN | 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.