Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.

This historic reference edition of Sergei Rachmaninoff's Piano Concerto No. 4, in G Minor, Op. 40 is the complete and final revised form, as last played by the composer in 1942. It is composed of three movements: Allegro vivace (Alla breve), Largo and Allegro vivace. Also included is an outstanding CD recording, from the Naxos label, by internationally renowned artist, Idil Biret, with the Polish National Radio Symphony Orchestra, Antoni Wit conducting. Biret has made more than 70 recordings and has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and many others.

This volume contains two of Beethoven's most loved and widely performed piano concertos, printed in the traditional format for two pianos: Piano I is the solo part; Piano II, a piano reduction of the orchestral score. Concerto No. 4 in G Major, Op. 58, composed in 1805 06, is one of the great masterpieces of the form, perfectly designed, profoundly poetic. From its striking opening for the solo instrument a true innovation for the concerto concept through the slow movement's literal "conversation" between solo and orchestra, the work broke new ground as it reshaped the form. The powerful Concerto No. 5 in E-flat Major, Op. 73, called the "Emperor" for its grandeur, was Beethoven's last piano concerto. Composed in 1809, when the composer was 39, it is counted among the most popular concertos in the repertoire. "Grove" considers it one of the strongest works conceived by Beethoven, and by far the most "symphonic," from the "thunderous cadential celebration" of the very first bars to the brilliant rondo-finale. Both works are presented here in authoritative two-piano playing editions edited by Franz Kullak, one of the nineteenth century's leading piano editors and teachers of pianists. His classic format for two keyboards is the universal standard, for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. To this practicality, Dover adds the convenience and economy of joining two major concertos within a single volume. "

Alexander Peskanov Piano Concerto No. 4, published by Classical Video Concepts, Inc. I. Allegro scherzando is stately but lighthearted, evoking the spirit of Haydn's symphonies. It focuses on broken major, minor, and diminished triads and two- and three-note slurs. (G major, level 3). II. Andante cantabile A beautiful cantabile line modeled after the early operatic works by Christoph Gluck permeates this movement. The use of treble clef throughout allows the student to focus on consistent, balanced tone between the hands. Two-note slurs imitate expressive sighs. (E minor, level 3) III. This spirited rondo features technical and rhythmic patterns used in various combinations. Sixteenth-note scales are divided between the hands, and slurred phrases coincide with the musical gestures throughout. (G major, level 4)

One of Beethoven's most admired and widely performed piano concertos -- perfectly designed and profoundly poetic -- is reprinted here complete with bar-numbered movements.

Ludwig van Beethoven's "Piano Concerto Number Four, Opus Fifty-Eight" This version only contains the piano part, with orchestral cues. It does not contain the full score or other instrument's parts.