This book provides an understanding of the very roots of what constitutes the Indian context by examining its notions of time, space and existence. the study unravels the inherent virtues of traditional Indian architecture and interprets them as universal dictums, relevant to reinstate in contemporary times.

A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.

A place of astonishing contrasts, India is home to some of the world’s most ancient architectures as well as some of its most modern. It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947. Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.

Why do we feel engaged with some places and not with others? How can architecture foster an engagement between people and public places? Spurred by questions like these, this book focuses on contemporary Indian cultural institutions, or artplaces, as a special kind of public place. Offering a critique of contemporary architectural and institutional approaches to 'place-making', this volume proposes an alternative approach to thinking about architecture centred on our experience of inhabiting spaces. Such a habitational approach is crucial if architecture (and, by extension, urban design) is to help nurture a larger engagement between people and their social environment.Himanshu Burte (b.1967) is an architect and writer based in Goa. He has written extensively on architecture and urban issues. His current research interests include contemporary Indian architecture and public space, sustainable technology, and the design of theatre spaces. This is his first book.